Punch, or the London Charivari, Volume 156, March 12, 1919 eBook

This eBook from the Gutenberg Project consists of approximately 49 pages of information about Punch, or the London Charivari, Volume 156, March 12, 1919.

Punch, or the London Charivari, Volume 156, March 12, 1919 eBook

This eBook from the Gutenberg Project consists of approximately 49 pages of information about Punch, or the London Charivari, Volume 156, March 12, 1919.
Although the War upset, I fear, John Jones’s pacifist career, He did not murmur or repine, But hurried to the nearest mine, And stuck it till the “refugees” Were all transplanted overseas.  In France he saw some dreadful scenes As salesman in E.F. canteens; But when the Bosch had been chastised He was at once demobilised.

  A most diverting person, Brown—­
  The “star” comedian in Town,
  And, since he donned a posh Sam B.,
  O.C.  Amusements, L. of C.
  He steadfastly refused to whine
  Because he never saw the Line,
  But carried on, stout fellow, and
  Is now at home, I understand. 
  A pivot so well-paid and prized
  Just had to be demobilised.

* * * * *

[Illustration:  Officer (on leave).  “YOU’LL BE GLAD TO HAVE THE BISLEY MEETING REVIVED?”

Veteran Volunteer Marksman.  “YES; BUT THERE’LL BE SOME POOR SCORING.  YOU SEE THERE’S BEEN NO SERIOUS SHOOTING FOR THE LAST FOUR YEARS.”]

* * * * *

OCCUPIED OPERA.

It was a chilly morning early in January.  The Opera at Cologne had just become recognised as the principal attraction of the place, and as yet there was no suave interpreter in attendance to mediate between the queue of representatives of Britain’s military power and the German clerk in the box-office.

I suppose that in some handsome suite of apartments in one of the best hotels in Cologne an exalted personage with red trimmings spends his whole time—­office hours, of course—­in devising fresh schemes for the sale and distribution of opera tickets to the British troops.  The demand for them is always far in excess of the number reserved for the military, and fresh schemes for their distribution are inaugurated every week.

We were still in the days when officers and men of every rank and every branch of the Army of Occupation used to wait in a democratic queue for the box-office to open at 10 A.M.  It was 9.15 when I took up my position, beaten a short neck by a very young and haughty officer, a Second-Lieutenant of the Blankshires.  There is always a cold wind round that corner of the Rudolfplatz, but every officer and every O.R. turned up his coat-collar, stamped his feet and determined to stick it.  After all, from the time when he waits his turn to receive his first suit of khaki, every soldier is inured to standing in queues, and when he has so often stood half-an-hour in a queue for the chance of a penny bowl of Y.M.C.A. tea he will think nothing of standing for an hour for a seat at the Opera.  For the officers no doubt the situation had the attraction of novelty.

By the time the office opened the queue reached from the Opera House steps nearly to the tramway Haltestelle, and much speculation was going on as to how many would be sent empty away.  Inch by inch we moved forward, mounted the steps one by one, and came within the relative warmth of the vestibule.  At last the weary waiting-time was over; the young subaltern stepped before the guichet and, pointing to a handbill, demanded in a loud and dignified voice a ticket for next Monday’s performance of “KEINE VORSTELLUNG!”

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Punch, or the London Charivari, Volume 156, March 12, 1919 from Project Gutenberg. Public domain.