The Spectator, Volume 2. eBook

This eBook from the Gutenberg Project consists of approximately 1,123 pages of information about The Spectator, Volume 2..

The Spectator, Volume 2. eBook

This eBook from the Gutenberg Project consists of approximately 1,123 pages of information about The Spectator, Volume 2..
Flowers. 
  In yonder nether World—­where shall I seek
  His bright Appearances, or Footsteps trace? 
  For though I fled him angry, yet recalled
  To Life prolonged and promised Race, I now
  Gladly behold though but his utmost Skirts
  Of Glory, and far off his Steps adore.

The Angel afterwards leads Adam to the highest Mount of Paradise, and lays before him a whole Hemisphere, as a proper Stage for those Visions which were to be represented on it.  I have before observed how the Plan of Milton’s Poem is in many Particulars greater than that of the Iliad or AEneid.  Virgil’s Hero, in the last of these Poems, is entertained with a Sight of all those who are to descend from him; but though that Episode is justly admired as one of the noblest Designs in the whole AEneid, every one-must allow that this of Milton is of a much higher Nature.  Adam’s Vision is not confined to any particular Tribe of Mankind, but extends to the whole Species.

In this great Review which Adam takes of all his Sons and Daughters, the first Objects he is presented with exhibit to him the Story of Cain and Abel, which is drawn together with much Closeness and Propriety of Expression.  That Curiosity and natural Horror which arises in Adam at the Sight of the first dying Man, is touched with great Beauty.

  But have I now seen Death? is this the way
  I must return to native Dust?  O Sight
  Of Terror foul, and ugly to behold,
  Horrid to think, how horrible to feel!

The second Vision sets before him the Image of Death in a great Variety of Appearances.  The Angel, to give him a general Idea of those Effects which his Guilt had brought upon his Posterity, places before him a large Hospital or Lazar-House, filled with Persons lying under all kinds of mortal Diseases.  How finely has the Poet told us that the sick Persons languished under lingering and incurable Distempers, by an apt and judicious use of such Imaginary Beings as those I mentioned in my last Saturday’s Paper.

  Dire was the tossing, deep the Groans.  Despair
  Tended the Sick, busy from Couch to Couch;
  And over them triumphant Death his Dart
  Shook, but delayed to strike, though oft invoked
  With Vows, as their chief Good and final Hope.

The Passion which likewise rises in Adam on this Occasion, is very natural.

  Sight so deform, what Heart of Rock could long
  Dry-eyed behold?  Adam could not, but wept,
  Tho’ not of Woman born; Compassion quell’d
  His best of Man, and gave him up to Tears.

The Discourse between the Angel and Adam, which follows, abounds with noble Morals.

As there is nothing more delightful in Poetry than a Contrast and Opposition of Incidents, the Author, after this melancholy Prospect of Death and Sickness, raises up a Scene of Mirth, Love, and Jollity.  The secret Pleasure that steals into Adams Heart as he is intent upon this Vision, is imagined with great Delicacy.  I must not omit the Description of the loose female Troop, who seduced the Sons of God, as they are called in Scripture.

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The Spectator, Volume 2. from Project Gutenberg. Public domain.