The Spectator, Volume 2. eBook

This eBook from the Gutenberg Project consists of approximately 1,123 pages of information about The Spectator, Volume 2..

The Spectator, Volume 2. eBook

This eBook from the Gutenberg Project consists of approximately 1,123 pages of information about The Spectator, Volume 2..

 —­Forth rush’d with Whirlwind sound
  The Chariot of paternal Deity
  Flashing thick flames?, Wheel within Wheel undrawn,
  Itself instinct with Spirit—­

I question not but Bossu, and the two Daciers, who are for vindicating every thing that is censured in Homer, by something parallel in Holy Writ, would have been very well pleased had they thought of confronting Vulcan’s Tripodes with Ezekiel’s Wheels.

Raphael’s Descent to the Earth, with the Figure of his Person, is represented in very lively Colours.  Several of the French, Italian and English Poets have given a Loose to their Imaginations in the Description of Angels:  But I do not remember to have met with any so finely drawn, and so conformable to the Notions which are given of them in Scripture, as this in Milton.  After having set him forth in all his Heavenly Plumage, and represented him as alighting upon the Earth, the Poet concludes his Description with a Circumstance, which is altogether new, and imagined with the greatest Strength of Fancy.

 —­Like Maia’s Son he stood,
  And shook his Plumes, that Heavnly Fragrance fill’d
  The Circuit wide.—­

Raphael’s Reception by the Guardian Angels; his passing through the Wilderness of Sweets; his distant Appearance to Adam, have all the Graces that Poetry is capable of bestowing.  The Author afterwards gives us a particular Description of Eve in her Domestick Employments

  So saying, with dispatchful Looks in haste
  She turns, on hospitable Thoughts intent,
  What Choice to chuse for Delicacy best,
  What order, so contrived, as not to mix
  Tastes, not well join’d, inelegant, but bring
  Taste after Taste; upheld with kindliest Change;
  Bestirs her then, &c.—­

Though in this, and other Parts of the same Book, the Subject is only the Housewifry of our first Parent, it is set off with so many pleasing Images and strong Expressions, as make it none of the least agreeable Parts in this Divine Work.

The natural Majesty of Adam, and at the same time his submissive Behaviour to the Superior Being, who had vouchsafed to be his Guest; the solemn Hail which the Angel bestows upon the Mother of Mankind, with the Figure of Eve ministring at the Table, are Circumstances which deserve to be admired.

Raphael’s Behaviour is every way suitable to the Dignity of his Nature, and to that Character of a sociable Spirit, with which the Author has so judiciously introduced him.  He had received Instructions to converse with Adam, as one Friend converses with another, and to warn him of the Enemy, who was contriving his Destruction:  Accordingly he is represented as sitting down at Table with Adam, and eating of the Fruits of Paradise.  The Occasion naturally leads him to his Discourse on the Food of Angels.  After having thus entered into Conversation with Man upon more indifferent Subjects, he warns him of his Obedience, and makes natural Transition to the History of that fallen Angel, who was employ’d in the Circumvention of our first Parents.

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The Spectator, Volume 2. from Project Gutenberg. Public domain.