A more curious ceremony still, whose origin, we think, may be traced to the Dionysian feasts of heathenism, has continued to be observed to this day at Beziers. It bears the names of the Feast of Pepezuch, the Triumph of Beziers, or the Feast of Caritats or Charites. At the bottom of the Rue Francaise at Beziers, a statue is to be seen which, notwithstanding the mutilations to which it has been subjected, still distinctly bears traces of being an ancient work of the most refined period of art. This statue represents Pepezuch, a citizen of Beziers, who, according to somewhat questionable tradition, valiantly defended the town against the Goths, or, as some say, against the English; its origin, therefore, cannot be later than the thirteenth century. On Ascension Day, the day of the Feast of Pepezuch, an immense procession went about the town. Three remarkable machines were particularly noticeable; the first was an enormous wooden camel made to walk by mechanism, and to move its limbs and jaws; the second was a galley on wheels fully manned; the third consisted of a cart on which a travelling theatre was erected. The consuls and other civic authorities, the corporations of trades having the pastors walking in front of them, the farriers on horseback, all bearing their respective insignia and banners, formed the procession. A double column, composed of a division of young men and young women holding white hoops decorated with ribbons and many-coloured streamers, was preceded by


