[5247] His sleep, his meat, his drink, in him bereft,
That
lean he waxeth, and dry as a shaft,
His
eyes hollow and grisly to behold,
His
hew pale and ashen to unfold,
And
solitary he was ever alone,
And
waking all the night making moan.
Theocritus Edyl. 2. makes a fair maid of Delphos, in love with a young man of Minda, confess as much,
“Ut
vidi ut insanii, ut animus mihi male affectiis est,
Miserae
mihi forma tabescebat, neque amplius pompam
Ullum
curabam, aut quando domum redieram
Novi,
sed me ardens quidam morbus consumebat,
Decubui
in lecto dies decem, et noctes decem,
Defluebant
capite capilli, ipsaque sola reliqua
Ossa
et cutis”------
“No
sooner seen I had, but mad I was.
My
beauty fail’d, and I no more did care
For
any pomp, I knew not where I was,
But
sick I was, and evil I did fare;
I
lay upon my bed ten days and nights,
A
skeleton I was in all men’s sights.”
All these passions are well expressed by [5248]that heroical poet in the person of Dido:
“At
non infelix animi Phaenissa, nec unquam
Solvitur
in somnos, oculisque ac pectore amores
Accipit;
ingeminant curae, rursusque resurgens
Saevit
amor,” &c.------
“Unhappy
Dido could not sleep at all,
But
lies awake, and takes no rest:
And
up she gets again, whilst care and grief,
And
raging love torment her breast.”
Accius Sanazarius Egloga 2. de Galatea, in the same manner feigns his Lychoris [5249]tormenting herself for want of sleep, sighing, sobbing, and lamenting; and Eustathius in his Ismenias much troubled, and [5250] “panting at heart, at the sight of his mistress,” he could not sleep, his bed was thorns. [5251]All make leanness, want of appetite, want of sleep ordinary symptoms, and by that means they are brought often so low, so much altered and changed, that as [5252]he jested in the comedy, “one scarce know them to be the same men.”
“Attenuant
juvenum vigilatae corpora noctes,
Curaque
et immenso qui fit amore dolor.”
Many such symptoms there are of the body to discern lovers by,—quis enim bene celet amorem? Can a man, saith Solomon, Prov. vi. 27, carry fire in his bosom and not burn? it will hardly be hid; though they do all they can to hide it, it must out, plus quam mille notis—it may be described, [5253]_quoque magis tegitur, tectus magis aestuat ignis_. ’Twas Antiphanes the comedian’s observation of old, Love and drunkenness cannot be concealed, Celare alia possis, haec praeter duo, vini potum, &c. words, looks, gestures, all will betray them; but two of the most notable signs are observed by the pulse and countenance. When Antiochus, the


