man nor the younger hesitated for a moment. Each,
though there were many reasons that might have pleaded
against such a course, “joined up” in an
Irish regiment, each in due time went to France and
each made the supreme sacrifice, falling with his
face to the foe. Neither doubted for a moment
that he was serving the cause of Ireland in fighting
against Prussianism and all that it implies.
Their enthusiastic approval of the justice of our
cause should be to us a great assurance. I knew
them both and can say with the most complete sincerity
that I never knew two men better loved by all who
had to do with them or more worthy of this universal
affection. It is in every way right that they
should be commemorated for future generations.
WILLIE REDMOND’S book consists of a series of
sketches of the War contributed by him to
The Daily
Chronicle. They are written with great charm
and, even in the gloomiest surroundings, reflect the
sunny nature of the man. There is a most appreciative
biographical memoir by E.M. SMITH-DAMPIER, and
in an appendix will be found the memorable and splendid
speech delivered by WILLIE REDMOND in the House of
Commons on March 7th of this year—a true
salutation in view of death. KETTLE’S book
is in the main a reprint of articles that reveal a
brilliant and versatile mind. Mrs. KETTLE contributes
a very interesting and sympathetic account of her
gallant husband’s life. It would have been
impossible for such a man not to have hated the German
tyranny.
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Mr. STACY AUMONIER takes for his theme the development
of a clever neurotic, Arthur Gaffyn, who stands,
in relation to normal life and normal feelings, Just
Outside (METHUEN)—a common modern type,
perhaps a commoner type in all ages than the obvious
records show. The author handles with real subtlety
the phases of Arthur’s marriage with a woman
much older than himself, a marriage in which the hunger
of the woman for love was a greater factor than the
not deeply stirred passion of the man. Then,
with the appearance of the destined mate, beauty and
youth and desire carry the day against duty, but neither
callously nor flippantly. The insight and sympathy
displayed in the analysis of motive are remarkable.
The author has a real gift for portraiture. In
particular he touches in his minor folk with extraordinarily
deft defining lines. Perhaps in general there
is a little hesitancy in craftsmanship, a slight quavering
between the fashionable modern realism and an older
romanticism. But the seriousness of his artistic
intention, the solidity of his work (which is by no
means to say stodginess, quite the contrary) will commend
Mr. AUMONIER to all who care to listen to people who
have the one thing necessary, something to say; and
the other thing desirable, a pleasant way of saying
it.
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