Stories from the Italian Poets: with Lives of the Writers, Volume 2 eBook

This eBook from the Gutenberg Project consists of approximately 394 pages of information about Stories from the Italian Poets.

Stories from the Italian Poets: with Lives of the Writers, Volume 2 eBook

This eBook from the Gutenberg Project consists of approximately 394 pages of information about Stories from the Italian Poets.

In these family-matters the anxious son and brother was occupied for three or four years, not, however, without recreating himself with his verses, Latin and Italian, and recording his admiration of a number of goddesses of his youth.  He mentions, in particular, one of the name of Lydia, who kept him often from “his dear mother and household,” and who is probably represented by the princess of the same name in the Orlando, punished in the smoke of Tartarus for being a jilt and coquette.[6] His friend Bembo, afterwards the celebrated cardinal, recommended him to be blind to such little immaterial points as ladies’ infidelities.  But he is shocked at the advice.  He was far more of Othello’s opinion than Congreve’s in such matters; and declared, that he would not have shared his mistress’ good-will with Jupiter himself.[7]

Towards the year 1504, the poet entered the service of the unworthy prince, Cardinal Ippolito of Este, brother of the new Duke of Ferrara, Alfonso the First.  His eminence, who had been made a prince of the church at thirteen years of age by the infamous Alexander the Sixth (Borgia), was at this period little more than one-and-twenty; but he took an active part in the duke’s affairs, both civil and military, and is said to have made himself conspicuous in his father’s lifetime for his vices and brutality.  He is charged with having ordered a papal messenger to be severely beaten for bringing him some unpleasant despatches:  which so exasperated his unfortunate parent, that he was exiled to Mantua; and the marquess of that city, his brother-in-law, was obliged to come to Ferrara to obtain his pardon.  But this was a trifle compared with what he is accused of having done to one of his brothers.  A female of their acquaintance, in answer to a speech made her by the reverend gallant, had been so unlucky as to say that she preferred his brother Giulio’s eyes to his eminence’s whole body:  upon which the monstrous villain hired two ruffians to put out his brother’s eyes; some say, was present at the attempt.  Attempt only it fortunately turned out to be, at least in part; the opinion being, that the sight of one of the eyes was preserved.[8]

Party-spirit has so much to do with stories of princes, and princes are so little in a condition to notice them, that, on the principle of not condemning a man till he has been heard in his defence, an honest biographer would be loath to credit these horrors of Cardinal Ippolito, did not the violent nature of the times, and the general character of the man, even with his defenders, incline him to do so.  His being a soldier rather than a churchman was a fault of the age, perhaps a credit to the man, for he appears to have had abilities for war, and it was no crime of his if he was put into the church when a boy.  But his conduct to Ariosto shewed him coarse and selfish; and those who say all they can for him admit that he was proud and revengeful, and that nobody regretted him when he

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Stories from the Italian Poets: with Lives of the Writers, Volume 2 from Project Gutenberg. Public domain.