Mr. Farquhar had now been about a twelve-month married, and it was at first reported, to a great fortune; which indeed he expected, but was miserably disappointed. The lady had fallen in love with him, and so violent was her passion, that she resolved to have him at any rate; and as she knew Farquhar was too much dissipated in life to fall in love, or to think of matrimony unless advantage was annexed to it, she fell upon the stratagem of giving herself out for a great fortune, and then took an opportunity of letting our poet know that she was in love with him. Vanity and interest both uniting to persuade Farquhar to marry, he did not long delay it, and, to his immortal honour let it be spoken, though he found himself deceived, his circumstances embarrassed, and his family growing upon him, he never once upbraided her for the cheat, but behaved to her with, all the delicacy, and tenderness of an indulgent husband.
His next comedy named the Twin-Rivals, was played in 1705.
Our poet was possessed of his commission in the army when the Spanish expedition was made under the conduct of the earl of Peterborough, tho’ it seems he did not keep it long after, and tho’ he was not embarked in that service, or present at the defeat of the French forces, and the conquest of Barcelona; yet from some military friends in that engagement, he received such distinct relations of it in their epistolary correspondency, that he wrote a poem upon the subject, in which he has made the earl his hero. Two or three years after it was written, the impression of it was dedicated by the author’s widow to the same nobleman, in which are some fulsome strains of panegyric, which perhaps her necessity excited her to use, from a view of enhancing her interest by flattery, which if excusable at all, is certainly so in a woman left destitute with a family, as she was.
In 1706 a comedy called the Recruiting Officer was acted at the theatre-royal. He dedicates to all friends round the Wrekin, a noted hill near Shrewsbury, where he had been to recruit for his company; and where, from his observations on country-life, the manner that serjeants inveigle clowns to enlist, and the behaviour of the officers towards the milk-maids and country-wenches, whom they seldom fail of debauching, he collected matter sufficient to build a comedy upon, and in which he was successful: Even now that comedy fails not to bring full houses, especially when the parts of Captain Plume, Captain Brazen, Sylvia, and Serjeant Kite are properly disposed of.
His last play was the Beaux—Stratagem, of which he did not live to enjoy the full success.
Of this pleasing author’s untimely end, we can give but a melancholy account.


