Besides Mr. Dryden’s numerous other performances, we find him the author of twenty-seven dramatic pieces, of which the following is an account.

1.  The Wild Gallant, a Comedy, acted at the theatre-royal, and printed in 4to, Lond. 1699.

2.  The Indian Emperor; or the Conquest of Mexico by the Spaniards, acted with great applause, and written in verse.

3.  An Evening’s Love; or the Mock Astrologer, a Comedy, acted at the theatre-royal, and printed in 4to. 1671.  It is for the most part taken from Corneille’s Feint Astrologue, Moliere’s Depit Amoreux, and Precieux Ridicules.

4.  Marriage A-la-mode, a Comedy, acted at the theatre-royal, and printed in 4to. 1673, dedicated to the earl of Rochester.

5.  Araboyna, a Tragedy, acted at the theatre-royal, and printed in 4to 1673.  It is dedicated to the lord Clifford of Chudleigh.  The plot of this play is chiefly founded in history, giving an account of the cruelty of the Dutch towards our countrymen at Amboyna, A.D. 1618.

6.  The Mistaken Husband, a Comedy, acted at the theatre-royal, and printed in 4to. 1675.  Mr. Langbaine tells us, Mr. Dryden was not the author of this play, tho’ it was adopted by him as an orphan, which might well deserve the charity of a scene he bestowed on it.  It is in the nature of low comedy, or farce, and written on the model of Plautus’s Menaechmi.

7.  Aurenge-zebe; or the Great Mogul, a Tragedy, dedicated to the earl of Mulgrave, acted 1676.  The story is related at large in Taverner’s voyages to the Indies, vol. i. part 2.  This play is written in heroic verse.

8.  The Tempest; or the inchanted Island, a Comedy, acted at the duke of York’s theatre, and printed in 4to. 1676.  This is only an alteration of Shakespear’s Tempest, by Sir William Davenant and Dryden.  The new characters in it were chiefly the invention and writing of Sir William, as acknowledged by Mr. Dryden in his preface.

9.  Feigned Innocence; or Sir Martin Mar-all, a Comedy, acted at the duke of York’s theatre, and printed in 4to. 1678.  The foundation of this is originally French, the greatest part of the plot and some of the language being taken from Moliere’s Eteurdi.

10.  The Assignation; or Love in a Nunnery, a Comedy, acted at the theatre-royal, and printed in 4to. 1678, addressed to Sir Charles Sedley.  This play, Mr. Langbain tells us, was damned on the stage, or as the author expresses it in the epistle dedicatory, succeeded ill in the representation; but whether the fault was in the play itself, or in the lameness of the action, or in the numbers of its enemies, who came resolved to damn it for the title, he will not pretend any more than the author to determine.

11.  The State of Innocence; or the Fall of Man, an Opera, written in heroic verse, and printed in 4to. 1678.  It is dedicated to her royal highness the duchess of York, on whom the author passes the following extravagant compliment.