In the year 1664 the town was obliged with his first performance for the stage, entitled the Comical Revenge, or Love in a Tub, the writing whereof brought him acquainted, as he himself informed us, with the earl of Dorset, to whom it is by the author dedicated.  The fame of this play, together with his easy, unreserved conversation, and happy address, rendered him a favourite with the leading wits, such as the duke of Buckingham, Sir Charles Sedley, the earl of Rochester, Sir Car Scroop.  Being animated by this encouragement, in 1668, he brought another comedy upon the stage, entitled She Would if She Could; which gained him no less applause, and it was expected, that by the continuance of his studies, he would polish and enliven the theatrical taste, and be no less constant in such entertainments, than the most assiduous of his cotemporaries, but he was too much addicted to pleasure, and being impelled by no necessity, he neglected the stage, and never writ, till he was forced to it, by the importunity of his friends.  In 1676, his last comedy called the Man of Mode, or Sir Fopling Flutter, came on the stage, with the most extravagant success; he was then a servant to the beautiful duchess of York, of whom Dryden has this very singular expression, ’that he does not think, that at the general resurrection, she can be made to look more charming than now.’  Sir George dedicates this play to his Royal Mistress, with the most courtly turns of compliment.  In this play he is said to have drawn, or to use the modern cant, taken off, some of the cotemporary coxcombs; and Mr. Dryden, in an Epilogue to it, has endeavoured to remove the suspicion of personal satire, and says, that the character of Flutter is meant to ridicule none in particular, but the whole fraternity of finished fops, the idolaters of new fashions.

His words are,

  True fops help nature’s work, and go to school,
  To file and finish God Almighty’s fool: 
  Yet none Sir Fopling, him, or him, can call,
  He’s Knight o’th’ Shire, and represents you all.

But this industry, to avoid the imputation of personal satire, but served to heighten it; and the town soon found out originals to his characters.  Sir Fopling was said to be drawn for one Hewit, a beau of those times, who, it seems, was such a creature as the poet ridiculed, but who, perhaps, like many other coxcombs, would never have been remembered, but for this circumstance, which transmits his memory to posterity.

The character of Dorimant was supposed to represent the earl of Rochester, who was inconstant, faithless, and undetermined in his amours; and it is likewise said, in the character of Medley, that the poet has drawn out some sketch of himself, and from the authority of Mr. Bowman, who played Sir Fopling, or some other part in this comedy, it is said, that the very Shoemaker in Act I. was also meant for a real person, who, by his improvident courses before, having been unable