The Lives of the Poets of Great Britain and Ireland (1753) eBook

Theodore Watts-Dunton
This eBook from the Gutenberg Project consists of approximately 352 pages of information about The Lives of the Poets of Great Britain and Ireland (1753).

The Lives of the Poets of Great Britain and Ireland (1753) eBook

Theodore Watts-Dunton
This eBook from the Gutenberg Project consists of approximately 352 pages of information about The Lives of the Poets of Great Britain and Ireland (1753).

The superiority of Mr. Addison’s papers in that work is universally admitted; and being more at leisure upon the change of the ministry, he continued assisting in the Tatler till 1711, when it was dropt.

No sooner was the Tatler laid down, but Sir Richard Steel, in concert with Mr. Addison, formed the plan of the Spectator.  The first paper appeared on the first of March 1711, and in the course of that great work, Mr. Addison furnished all the papers marked with any Letters of the Muse Clio; and which were generally most admired.  Tickell, who had no kindness for Sir Richard Steel, meanly supposes that he marked his paper out of precaution against Sir Richard; which was an ill-natur’d insinuation; for in the conclusion of the Spectators, he acknowledges to Mr. Addison, all he had a right to; and in his letter to Congreve, he declares that Addison’s papers were marked by him, out of tenderness to his friend, and a warm zeal for his fame.  Steel was a generous grateful friend; it therefore ill became Mr. Tickell in the defence of Mr. Addison’s honour, which needed no such stratagem, to depreciate one of his dearest friends; and at the expence of truth, and his reputation, raise the character of his Hero.  Sir Richard had opposed Mr. Addison, in the choice of Mr. Tickell as his secretary; which it seems he could never forget nor forgive.

In the Spectators, Sir Roger de Coverly was Mr. Addison’s favourite character; and so tender was he of it, that he went to Sir Richard, upon his publishing a Spectator, in which he made Sir Roger pick up a woman in the temple cloisters, and would not part with his friend, until he promised to meddle with the old knight’s character no more.  However, Mr. Addison to make sure, and to prevent any absurdities the writers of the subsequent Spectators might fall into, resolved to remove that character out of the way; or, as he pleasantly expressed it to an intimate friend, killed Sir Roger, that no body else might murther him.  When the old Spectator was finished, a new one appeared; but, though written by men of wit and genius, it did not succeed, and they were wise enough not to push the attempt too far.  Posterity must have a high idea of the taste and good sense of the British nation, when they are informed, that twenty-thousand of these papers were sometimes sold in a day. [4]

The Guardian, a paper of the same tendency, entertained the town in the years 1713 and 1714, in which Mr. Addison had likewise a very large share; he also wrote two papers in the Lover.

In the year 1713 appeared his famous Cato.  He entered into a design of writing a Tragedy on that subject, when he was very young; and when he was on his travels he actually wrote four acts of it:  However, he retouched it on his return, without any design of bringing it on the stage; but some friends of his imagining it might be of service to the cause of liberty, he was prevailed upon to finish it for the theatre, which he accordingly did.  When this

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The Lives of the Poets of Great Britain and Ireland (1753) from Project Gutenberg. Public domain.