Blind Beggar of Alexandria, a Comedy, printed 1598, dedicated to the earl of Nottingham, Lord High Admiral.  Bussy d’Amboise, a Tragedy, often presented at St. Paul’s, in the reign of King James I. and since the Restoration with great applause; for the plot see Thuanus, Jean de Serres, and Mezeray, in the reign of King Henry iii. of France.  This is the play of which Mr. Dryden speaks, when in his preface to the Spanish Fryar, he resolves to burn one annually to the memory of Ben Johnson.  Some have differed from Mr. Dryden in their opinion of this piece, but as the authorities who have applauded, are not so high as Mr. Dryden’s single authority, it is most reasonable to conclude not much in its favour.

Bussy d’Amboise his Revenge, a Tragedy, printed 1613, and dedicated to Sir Thomas Howard.  This play is generally allowed to fall short of the former of that name, yet the author, as appears from his dedication, had a higher opinion of it himself, and rails at those who dared to censure it; it is founded upon fiction, which Chapman very justly defends, and says that there is no necessity for any play being founded on truth.

Conspiracy and Tragedy of Charles, Duke of Byron, Marshal of France, in two plays, acted at the Black Fryars in the reign of King James I. printed in 4to.  London 1608, dedicated to Sir Thomas Walsingham.

Caesar and Pompey, a Roman Tragedy, printed 1631, and dedicated to the Earl of Middlesex.

Gentleman Usher, a Comedy, printed in 4to.  London 1606.  We are not certain whether this play was ever acted, and it has but an indifferent character.

Humourous Day’s Mirth, a Comedy; this is a very tolerable play.

Mask of the Two Honourable Houses, or Inns of Court, the Middle-Temple, and Lincoln’s-Inn, performed before the King at Whitehall, on Shrove Monday at night, being the 15th of February, 1613, at the celebration of the Royal Nuptials of the Palsgrave, and the Princess Elizabeth, &c. with a description of their whole shew, in the manner of their march on horseback, from the Master of the Rolls’s house to the court, with all their noble consorts, and shewful attendants; invented and fashioned, with the ground and special structure of the whole work by Inigo Jones; this Mask is dedicated to Sir Edward Philips, then Master of the Rolls.  At the end of the Masque is printed an Epithalamium, called a Hymn for the most happy Nuptials of the Princess Elizabeth, &c.

May-Day, a witty Comedy, acted at the Black Fryars, and printed in 4to. 1611.

Monsieur d’Olive, a Comedy, acted by her Majesty’s children at the Black Fryars, printed in 4to. 1606.

Revenge for Honour, a Tragedy, printed 1654.

Temple, a Masque.

Two Wise-men, and all the rest Fools, or a Comical Moral, censuring the follies of that age, printed in London 1619.  This play is extended to seven acts, a circumstance which Langbaine says he never saw in any other, and which, I believe, has never been practised by any poet, ancient or modern, but himself.