Seeing Europe with Famous Authors, Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 181 pages of information about Seeing Europe with Famous Authors, Volume 1.

Seeing Europe with Famous Authors, Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 181 pages of information about Seeing Europe with Famous Authors, Volume 1.

The plainly drest old man now led us into a long corridor, which goes, I think, the whole length of the house, about five hundred feet, arched all the way, and lengthened interminably by a looking-glass at the end, in which I saw our own party approaching like a party of strangers.  But I have so often seen this effect produced in dry-goods stores and elsewhere, that I was not much imprest.  There were family portraits and other pictures, and likewise pieces of statuary, along this arched corridor; and it communicated with a chapel with a scriptural altar-piece, copied from Rubens, and a picture of St. Michael and the Dragon, and two, or perhaps three, richly painted windows.  Everything here is entirely new and fresh, this part having been repaired, and never yet inhabited by the family.  This brand-newness makes it much less effective than if it had been lived in; and I felt pretty much as if I were strolling through any other renewed house.  After all, the utmost force of man can do positively very little toward making grand things or beautiful things.  The imagination can do so much more, merely on shutting one’s eyes, that the actual effect seems meager; so that a new house, unassociated with the past, is exceedingly unsatisfactory, especially when you have heard that the wealth and skill of man has here done its best.  Besides, the rooms, as we saw them, did not look by any means their best, the carpets not being down, and the furniture being covered with protective envelops.  However, rooms can not be seen to advantage by daylight; it being altogether essential to the effect, that they should be illuminated by artificial light, which takes them somewhat out of the region of bare reality.  Nevertheless, there was undoubtedly great splendor—­for the details of which I refer to the guide-book.  Among the family portraits, there was one of a lady famous for her beautiful hand; and she was holding it up to notice in the funniest way—­and very beautiful it certainly was.  The private apartments of the family were not shown us.  I should think it impossible for the owner of this house to imbue it with his personality to such a degree as to feel it to be his home.  It must be like a small lobster in a shell much too large for him.

After seeing what was to be seen of the rooms, we visited the gardens, in which are noble conservatories and hot-houses, containing all manner of rare and beautiful flowers, and tropical fruits.  I noticed some large pines, looking as if they were really made of gold.  The gardener (under-gardener I suppose he was) who showed this part of the spectacle was very intelligent as well as kindly, and seemed to take an interest in his business.  He gave S——­ a purple everlasting flower, which will endure a great many years, as a memento of our visit to Eaton Hall.  Finally, we took a view of the front of the edifice, which is very fine, and much more satisfactory than the interior—­and returned to Chester.

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Seeing Europe with Famous Authors, Volume 1 from Project Gutenberg. Public domain.