yet understand, his furniture, his pottery, his pewter-work, and particularly his bookbindings, of which he was very proud.  And he was turning his wife into a copy of himself, perverting her by his extravagant opinions and his promiscuous friendships, so that the little devotee who had been confided to his keeping was now on the high road to every kind of folly.  She still went to mass and partook of the holy communion; but she was each day growing more and more familiar with wrong-doing.  A disaster must surely be at the end of it all, particularly as he foolishly behaved to her in a rough, jeering way, which greatly hurt her feelings, and led her to dream of being loved with gentleness.

When Mathieu entered the house, which displayed eight lofty windows on each of the stories of its ornate Renaissance facade, he laughed lightly as he thought:  “These folks don’t have to wait for a monthly pittance of three hundred francs, with just thirty sous in hand.”

The hall was extremely rich, all bronze and marble.  On the right hand were the dining-room and two drawing-rooms; on the left a billiard-room, a smoking-room, and a winter garden.  On the first floor, in front of the broad staircase, was Seguin’s so-called “cabinet,” a vast apartment, sixteen feet high, forty feet long, and six-and-twenty feet wide, which occupied all the central part of the house; while the husband’s bed and dressing rooms were on the right, and those of the wife and children on the left hand.  Up above, on the second floor, two complete suites of rooms were kept in reserve for the time when the children should have grown up.

A footman, who knew Mathieu, at once took him upstairs to the cabinet and begged him to wait there, while Monsieur finished dressing.  For a moment the visitor fancied himself alone and glanced round the spacious room, feeling interested in its adornments, the lofty windows of old stained glass, the hangings of old Genoese velvet and brocaded silk, the oak bookcases showing the highly ornamented backs of the volumes they contained; the tables laden with bibelots, bronzes, marbles, goldsmith’s work, glass work, and the famous collection of modern pewter-work.  Then Eastern carpets were spread out upon all sides; there were low seats and couches for every mood of idleness, and cosy nooks in which one could hide oneself behind fringes of lofty plants.

“Oh! so it’s you, Monsieur Froment,” suddenly exclaimed somebody in the direction of the table allotted to the pewter curios.  And thereupon a tall young man of thirty, whom a screen had hitherto hidden from Mathieu’s view, came forward with outstretched hand.

“Ah!” said Mathieu, after a moment’s hesitation, “Monsieur Charles Santerre.”