Volumnia, in her room up a retired landing on the staircase—­the second turning past the end of the carving and gilding, a cousinly room containing a fearful abortion of a portrait of Sir Leicester banished for its crimes, and commanding in the day a solemn yard planted with dried-up shrubs like antediluvian specimens of black tea—­is a prey to horrors of many kinds.  Not last nor least among them, possibly, is a horror of what may befall her little income in the event, as she expresses it, “of anything happening” to Sir Leicester.  Anything, in this sense, meaning one thing only; and that the last thing that can happen to the consciousness of any baronet in the known world.

An effect of these horrors is that Volumnia finds she cannot go to bed in her own room or sit by the fire in her own room, but must come forth with her fair head tied up in a profusion of shawl, and her fair form enrobed in drapery, and parade the mansion like a ghost, particularly haunting the rooms, warm and luxurious, prepared for one who still does not return.  Solitude under such circumstances being not to be thought of, Volumnia is attended by her maid, who, impressed from her own bed for that purpose, extremely cold, very sleepy, and generally an injured maid as condemned by circumstances to take office with a cousin, when she had resolved to be maid to nothing less than ten thousand a year, has not a sweet expression of countenance.

The periodical visits of the trooper to these rooms, however, in the course of his patrolling is an assurance of protection and company both to mistress and maid, which renders them very acceptable in the small hours of the night.  Whenever he is heard advancing, they both make some little decorative preparation to receive him; at other times they divide their watches into short scraps of oblivion and dialogues not wholly free from acerbity, as to whether Miss Dedlock, sitting with her feet upon the fender, was or was not falling into the fire when rescued (to her great displeasure) by her guardian genius the maid.

“How is Sir Leicester now, Mr. George?” inquires Volumnia, adjusting her cowl over her head.

“Why, Sir Leicester is much the same, miss.  He is very low and ill, and he even wanders a little sometimes.”

“Has he asked for me?” inquires Volumnia tenderly.

“Why, no, I can’t say he has, miss.  Not within my hearing, that is to say.”

“This is a truly sad time, Mr. George.”

“It is indeed, miss.  Hadn’t you better go to bed?”

“You had a deal better go to bed, Miss Dedlock,” quoth the maid sharply.

But Volumnia answers No!  No!  She may be asked for, she may be wanted at a moment’s notice.  She never should forgive herself “if anything was to happen” and she was not on the spot.  She declines to enter on the question, mooted by the maid, how the spot comes to be there, and not in her room (which is nearer to Sir Leicester’s), but staunchly declares that on the spot she will remain.  Volumnia further makes a merit of not having “closed an eye”—­as if she had twenty or thirty—­though it is hard to reconcile this statement with her having most indisputably opened two within five minutes.