Peck's Bad Boy at the Circus eBook

This eBook from the Gutenberg Project consists of approximately 196 pages of information about Peck's Bad Boy at the Circus.

Peck's Bad Boy at the Circus eBook

This eBook from the Gutenberg Project consists of approximately 196 pages of information about Peck's Bad Boy at the Circus.

When the freaks heard of pa’s bravery, the fat woman and the bearded lady wanted to hug pa, but pa waved them away, and said he liked the elephant business best.

May 7.—­I used to think that if I could belong to a circus, and go away with it when it left the town I lived in, that it would be pretty near going to heaven.  I used to hope for the time when I would get nerve enough to run away, and go with a circus, and wear a dirty shirt, and be around a tent and wash off the legs of a spotted horse with castile soap, and when people gathered about me to watch the proceedings, to look tough and tell them in a hoarse voice way down my throat, sort of husky from sleeping in the wet straw with the spotted horse, that they must go on about their business, and not disturb the horse.

I had thought if I should run away and go with a circus, some day, when I got far enough away from ma, that I would up and swear, and be tough, and when I came home in the fall, and the neighbor boys would come around me, I would chew tobacco and tell them of the joys of circus life.  Well, maybe I will some day, but at present I am sleepy all the time.

We have showed six times the last week, and traveled a thousand miles, and it seems as though there is nothing doing but putting up and taking down tents, and going to and from the cars, and you can’t be tough, ’cause there is always some boss around to tell you to look pleasant if you are cross, and to tell you to change your shirt or get out of the show, and if you swear at anything you are called down.

Pa and I put in a good deal of time during the afternoon and evening performances in the dressing-room, near the door leading to the main tent.  That is the nearest to being in an insane asylum of any place I was ever in.  The performers get ready for their several acts in bunches or families, all in one spot, and they act serious and jaw each other, and each bunch acts as though their act was all there was to the show, and if it was cut out for any reason, the show would have to lay up for the season, when in fact each one is only a cog in the great wheel, and if one cog should slip, the wheel would turn just the same.  These people never smile before they go in the ring, but just act as though too much depended on them to crack a smile.  When a bunch is called to go in the ring, they all look at each other as though it was the parting of the ways, and they clasp hands and go out of the dressing-room as though walking on eggs.  When they get in the ring they look around to see if all eyes are upon them, and bow to people who are looking at something going on in another ring, and who don’t see them, and then they go through their performance with everybody looking somewhere else.

When the act is over the audience seems glad, and clap their hands because they are polite, and it don’t cost anything to clap hands, and the performers turn some more flip flaps, and go running out to the dressing-room, and take a peek back into the big tent as though expecting an encore, but the audience has forgotten them and is looking for the next mess of performers, and the ones who have just been in go and lie down on straw and wonder if they can hit the treasurer for an advance on their salaries, so they can go to a beer garden and forget it all.

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Peck's Bad Boy at the Circus from Project Gutenberg. Public domain.