them was to paint the men and women whom they admired, and to show the loveliness of this lovely earth.  They painted many religious pictures—­in fact, they painted far too many, and the monotony of type and motive is wearisome, and was bad for art.  It was the result of the authority of the public in art-matters, and is to be deplored.  But their soul was not in the subject.  Raphael was a great artist when he painted his portrait of the Pope.  When he painted his Madonnas and infant Christs, he is not a great artist at all.  Christ had no message for the Renaissance, which was wonderful because it brought an ideal at variance with his, and to find the presentation of the real Christ we must go to mediaeval art.  There he is one maimed and marred; one who is not comely to look on, because Beauty is a joy; one who is not in fair raiment, because that may be a joy also:  he is a beggar who has a marvellous soul; he is a leper whose soul is divine; he needs neither property nor health; he is a God realising his perfection through pain.

The evolution of man is slow.  The injustice of men is great.  It was necessary that pain should be put forward as a mode of self-realisation.  Even now, in some places in the world, the message of Christ is necessary.  No one who lived in modern Russia could possibly realise his perfection except by pain.  A few Russian artists have realised themselves in Art; in a fiction that is mediaeval in character, because its dominant note is the realisation of men through suffering.  But for those who are not artists, and to whom there is no mode of life but the actual life of fact, pain is the only door to perfection.  A Russian who lives happily under the present system of government in Russia must either believe that man has no soul, or that, if he has, it is not worth developing.  A Nihilist who rejects all authority, because he knows authority to be evil, and welcomes all pain, because through that he realises his personality, is a real Christian.  To him the Christian ideal is a true thing.

And yet, Christ did not revolt against authority.  He accepted the imperial authority of the Roman Empire and paid tribute.  He endured the ecclesiastical authority of the Jewish Church, and would not repel its violence by any violence of his own.  He had, as I said before, no scheme for the reconstruction of society.  But the modern world has schemes.  It proposes to do away with poverty and the suffering that it entails.  It desires to get rid of pain, and the suffering that pain entails.  It trusts to Socialism and to Science as its methods.  What it aims at is an Individualism expressing itself through joy.  This Individualism will be larger, fuller, lovelier than any Individualism has ever been.  Pain is not the ultimate mode of perfection.  It is merely provisional and a protest.  It has reference to wrong, unhealthy, unjust surroundings.  When the wrong, and the disease, and the injustice are removed, it will have no further place.  It will have done its work.  It was a great work, but it is almost over.  Its sphere lessens every day.