out, “Keep clear of the dog!” and a few paces farther, “Take care, or the monkey will fly at you!” an incident recalling the old vagaries of the menagerie at Newstead.  The biographer’s reminiscences mainly dwell on his lordship’s changing moods and tempers and gymnastic exercises, his terror of interviewing strangers, his imperfect appreciation of art, his preference of fish to flesh, his almost parsimonious economy in small matters, mingled with allusions to his domestic calamities, and frequent expressions of a growing distaste to Venetian society.  On leaving the city, Moore passed a second afternoon at La Mira, had a glimpse of Allegra, and the first intimation of the existence of the notorious Memoirs.  “A short time after dinner Byron left the room, and returned carrying in his hand a white leather bag.  ‘Look here,’ he said, holding it up; ’this would be worth something to Murray, though you, I dare say, would not give sixpence for it.’  ‘What is it?’ I asked.  ’My life and adventures,’ he answered.  ‘It is not a thing,’ he answered, ’that can be published during my lifetime, but you may have it if you like.  There, do whatever you please with it.’  In taking the bag, and thanking him most warmly, I added, ’This will make a nice legacy for my little Tom, who shall astonish the latter days of the nineteenth century with it.’"[2] Shortly after, Moore for the last time bade his friend farewell, taking with him from Madame Guiccioli, who did the honours of the house, an introduction to her brother, Count Gamba, at Rome.  “Theresa Guiccioli,” says Castelar, “appears like a star on the stormy horizon of the poet’s life.”  A young Romagnese, the daughter of a nobleman of Ravenna, of good descent but limited means, she had been educated in a convent, and married in her nineteenth year to a rich widower of sixty, in early life a friend of Alfieri, and noted as the patron of the National Theatre.  This beautiful blonde, of pleasing manners, graceful presence, and a strong vein of sentiment, fostered by the reading of Chateaubriand, met Byron for the first time casually when she came in her bridal dress to one of the Albrizzi reunions; but she was only introduced to him early in the April of the following year, at the house of the Countess Benzoni.  “Suddenly the young Italian found herself inspired with a passion of which till that moment her mind could not have formed the least idea; she had thought of love but as an amusement, and now became its slave.”  Byron, on the other hand, gave what remained of a heart, never alienated from her by any other mistress.  Till the middle of the month they met every day; and when the husband took her back to Ravenna she despatched to her idol a series of impassioned letters, declaring her resolution to mould her life in accordance with his wishes.  Towards the end of May she had prepared her relatives to receive Byron as a visitor.  He started in answer to the summons, writing on his way the beautiful stanzas to the Po, beginning—­