The Works of Aphra Behn, Volume III eBook

This eBook from the Gutenberg Project consists of approximately 615 pages of information about The Works of Aphra Behn, Volume III.
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The Works of Aphra Behn, Volume III eBook

This eBook from the Gutenberg Project consists of approximately 615 pages of information about The Works of Aphra Behn, Volume III.

Amongst the more notable performances of The Emperor of the Moon were two at Dorset Garden on the 16 and 21 November, 1706, when Estcourt acted Scaramouch, and Pinkethman, Harlequin.  On 3 September, 1708, at Drury Lane, Bullock was Scaramouch; Bickerstaffe, Harlequin; Johnson, the old Doctor; Powell, Don Cinthio.  At Lincoln’s Inn Fields, 28 June, 1717, Bullock again sustained Scaramouch and had Spiller as his Harlequin.  Four years later, 6 February, 1721, they were acting the same roles at this theatre, with Mrs. Cross as Bellemante, and Quin, Ryan, in the cast.  The farce was repeated on 25 October of the same year.  Bullock and Spiller kept their favourite parts, Hall was Baliardo; Quin, Cinthio; Ryan, Charmante; Mrs. Egleton, Mopsophil; Mrs. Bullock, Bellemante.  Doggett’s The Country Wake was played the same night.  Ten years later, still at this theatre, on 20 October, 1731, Hall was again Baliardo and Mrs. Egleton, Mopsophil.  On this occasion Pinkethman played Harlequin; Hippisley, Scaramouch; Milward, Charmante; and Chapman, Cinthio.  The farce was put on as a first piece at Covent Garden, 14 February, 1739.  Pinkethman was Harlequin; Rosco, Scaramouch; Arthur, the Doctor; Hallam, Charmante; Hall, Cinthio; Mrs. James, Mopsophil; Mrs. Vincent, Elaria; and the fair Bellamy, Bellemante.  In 1748 there was a curious rivalry between the two theatres when both produced The Emperor of the Moon on the same night, 26 December.  At Covent Garden, where it was billed ‘not acted 10 years’, and produced as a first piece at considerable expense with magnificent decorations, Cushing played Harlequin; Dunstall, Scaramouch; Sparks, Baliardo; Ryan, Charmante; Delane, Cinthio; Peg Woffington, Bellemante; and the Bellamy, Elaria.  It was, however, a dead failure and only acted twice.  Contrary to expectation Cushing was very bad as Harlequin, whilst at Drury Lane Woodward was excellent.  At the Lane, where it was played with Mrs. Centlivre’s A Bold Stroke for a Wife and billed ‘not acted 20 years’, Yates took Scaramouch; Palmer, Charmante; King, Cinthio; Winstone, Baliardo; Miss Murgatroyd, Bellemante; and the inimitable Mrs. Green, Mopsophil.  A great effect was produced when Harlequin is tossed in a blanket, Act iii.  Two long strips were sewn to the sides of the blanket by which he held.  From the front, however, they were invisible, and as it seemed that Woodward was being thrown to a dangerous height this spectacle immensely pleased the galleries.

In 1777 The Emperor of the Moon, very unnecessarily altered and by no means bettered ’with the addition of several airs, duets, and choruses selected from other compositions’ (8vo, 1777), was produced at the Patagonian Theatre.  This theatre was situated in Exeter Change, Strand, on a portion of the site of Burleigh House, the town house of the great Lord Treasurer, which was afterwards known as Exeter House.  It is very doubtful if the theatre existed as such later than 1779.

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The Works of Aphra Behn, Volume III from Project Gutenberg. Public domain.