|
This section contains 3,591 words (approx. 12 pages at 300 words per page) |
|
SOURCE: "The Man Who Changed Everything," in New York Times Magazine, November 16, 1997, pp. 112, 114-5, 117.
In the following interview, Tarantino discusses his films and the Hollywood movie industry.
Quentin Tarantino, in shorts and a T-shirt, is padding around his palatial mansion in the Hollywood Hills on a Sunday afternoon in late October. He has lived here less than a year, and the previous occupant, the pop singer Richard Marx, left most of his overstuffed furniture behind. Tarantino has added some touches: movie posters are strewn everywhere; there are bronze sculptures of characters from Reservoir Dogs, his first movie, and Pulp Fiction; a goldfish, a gold lamp and Tarantino's screenwriting Oscar for Pulp Fiction (also gold) are carefully arranged in front of a picture window. "Feng shui." Tarantino explains.
Piled on the living-room floor are videocassettes of scenes from Tarantino's new movie, Jackie Brown, which is scheduled to open Christmas...
|
This section contains 3,591 words (approx. 12 pages at 300 words per page) |
|

