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SOURCE: "'Only Two Kinds of Daughters': Inter-Monologue Dialogicity in The Joy Luck Club," in MELUS, Vol. 19, No. 2, Summer, 1994, pp. 99-124.
In the following essay, Souris applies Wolfgang Iser's theory concerning multiple-narrator novels to Tan's The Joy Luck Club.
Amy Tan has said that she never intended The Joy Luck Club to be a novel. Instead, she thought of it as a collection of stories. But she did plan on having the stories cohere around a central theme, and she did plan the prefaces from the start, although they were written last. More importantly, her collection of first-person monologues participates in and contributes to a tradition of multiple monologue narratives. Since the precedent-setting experiments of Woolf and Faulkner—The Waves, The Sound and the Fury, As I Lay Dying, Absalom, Absalom!—a number of interesting novels written in the decentered, multiple monologue mode have been published. Louise Erdrich's Tracks...
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