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This section contains 257 words (approx. 1 page at 300 words per page) |
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Paul Simon and Randy Newman are virtually alone among singer/songwriters in their capacity for accompanying highly polished lyrics with music of comparable sophistication. Simon has arrived at this balance by gradually simplifying his lyrics while turning out more and more complex (though never ostentatiously so) melodies, rhymes and internal contradictions. More so than any of his competitors, Simon has learned to use his music as an ironic commentary on lyrics that are sometimes even more elusive than Newman's. (pp. 316, 318)
"Overs" injected Simon and Garfunkel's 1968 Bookends album with an unexpected bitterness, an honesty of the sort that Simon's pretensions had not previously permitted…. [On] Paul Simon, his first solo album, the cute, deliberately obscure "Me and Julio Down by the Schoolyard" is no match for "Mother and Child Reunion," an equally vague but more likable song that makes no attempt to play hide-and-seek. Simon's best work—"American Tune...
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This section contains 257 words (approx. 1 page at 300 words per page) |
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