Martin Scorsese | Criticism

This literature criticism consists of approximately 2 pages of analysis & critique of Martin Scorsese.

Martin Scorsese | Criticism

This literature criticism consists of approximately 2 pages of analysis & critique of Martin Scorsese.
This section contains 335 words
(approx. 2 pages at 300 words per page)
Buy the Critical Essay by Michael Powell

Not since the beginnings of [Akira] Kurosawa have we seen such nervous authority. From [Martin Scorsese's] earliest films he started a dialogue with the audience compelling them to take part. Together with Robert De Niro he has invented a new film language. (p. 1)

[Scorsese and De Niro] are using a film language that dares the audience to stay ahead of them. It's the greatest compliment a filmmaker can pay to his audience; and we appreciate it. Half the time we yawn our heads off, as the film director underlines some point we found out for ourselves ten minutes ago. Scorsese-De Niro is a different ball game. Visual and verbal points are made with rapier-like touches. A word creates an image, an image begets a sequence, a one-line joke ends it, a reaction is long in coming and then explodes with unexpected violence, emotions are concealed, nothing is predictable...

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This section contains 335 words
(approx. 2 pages at 300 words per page)
Buy the Critical Essay by Michael Powell
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Critical Essay by Michael Powell from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.