SOURCE: A review of Boxcar Bertha, in The New York Times, August 18, 1972, p. 19.

In the following excerpt, Thompson suggests that Boxcar Bertha—though a B-movie rip-off of Bonnie and Clyde (1967)—is a surprisingly good film.

Of the new circuit doublebill, the one to catch is Boxcar Bertha, emphatically not 1,000 Convicts and a Woman. Yes, Boxcar Bertha, believe it or not. Here is an interesting surprise.

Set in the South and Southwest of the Depression years, with old-time clothes and cars, this is the drama of two derelict criminals and sweet-hearts who finally meet a horrible doom. Does that sound familiar? Well, Bonnie and Clyde still leads the parade.

However, while there is a striking similarity in general content, background, fine color photography and even the use of hillbilly music, the new, more modest film stands curiously on its own.

The main reason is the character of the hero...