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This section contains 6,647 words (approx. 23 pages at 300 words per page) |
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SOURCE: “The Diabolical Discourse of Byron and Shelley,” in Philological Quarterly, Vol. 70, No. 1, Winter, 1991, pp. 47-65.
In the following essay, Brewer asserts that a complimentary interest in Satan as a literary presence inspired a number of the great poetic works of Lord Byron and Percy Shelley.
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Shelley's praise of Byron's Cain was immediate and enthusiastic. In a 12 January 1822 letter to John Gisborne, he asked: “What think you of Lord Byron now? Space wondered less at the swift and fair creations of God, when he grew weary of vacancy, than I at the late works of this spirit of an angel in the mortal paradise of a decaying body.”1 Elsewhere, Shelley used such terms as “apocalyptic” and “revelation” to describe Byron's mystery play.2 Part of Shelley's enthusiasm for Cain could be explained by the fact that Cain treated themes he himself had explored in Queen Mab, Prometheus Unbound, and...
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This section contains 6,647 words (approx. 23 pages at 300 words per page) |
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