There is the Paul Bowles—Flannery O'Connor cult of the Gratuitous Grotesque…. Flannery O'Connor tells us that she writes out of a "deep Christian concern." The story of hers which, in Allen Tate's view, best exemplifies this concern is the tale of an embittered, virginal Southern bluestocking with a wooden leg who accompanies a young Bible salesman into a barn to seduce him ["Good Country People"]. Her "victim" produces, out of a dummy Bible, whiskey, contraceptives and dirty playing cards. In the end he runs off with her wooden leg in his suitcase. All of these overingenious horrifics are presumably meant to speak to us of the Essential Nature of Our Time, but when the very real and cruel grotesquerie of our world is converted into clever gimmicks for Partisan Review, we may be forgiven for reacting with the self-same disgust as the little old lady from Dubuque...