SOURCE: Chambers, Ross. “Meditation and the Escalator Principle (on Nicholson Baker's The Mezzanine).” Modern Fiction Studies 40, no. 4 (winter 1994): 765-806.

In the following essay, Chambers explores the narratological and philosophical significance of open-ended digressions and subjective contemplation in The Mezzanine. Contrasting Baker's novel with Descartes's Meditations, Chambers contends that the discontinuous narrative and trivial private preoccupations of The Mezzanine serve to shift the narrative structure of the novel in favor of “progressive extenuation” and “paradigmatic lingering” rather than closure.

So essential to the productive economy are the small pleasures of “fugue”—napping in class, calling in sick, walking the dog—that time out is sometimes actually institutionalized and scheduled into the regulated hours of work. We take annual vacations at predetermined dates and go to lunch each day at the appointed hour. To the extent that it tells a story, Nicholson Baker's novel, The Mezzanine, tells the story of...