Much Ado About Nothing | Criticism

This literature criticism consists of approximately 3 pages of analysis & critique of Much Ado About Nothing.

Much Ado About Nothing | Criticism

This literature criticism consists of approximately 3 pages of analysis & critique of Much Ado About Nothing.
This section contains 805 words
(approx. 3 pages at 300 words per page)
Buy the Critical Review by Peter Marks

SOURCE: Marks, Peter. “A Pair of Warhorses Come Trotting Down from Canada.” The New York Times 148 (17 November 1998): E2.

In the following excerpt, Marks reviews the 1998 Stratford Festival production of Much Ado about Nothing at New York's City Center. Marks contends that the production was unremarkable and “short on laughs.”

The curtain rose at 7:40, but the Stratford Festival did not unveil its capabilities until an hour later.

The moment of revelation came when William Hutt, the celebrated Canadian company's Old Reliable, an actor in his late 70's with the savoir-faire that comes with age, made the force of his presence felt in Shakespeare's Much Ado About Nothing. The troupe has brought the play to City Center for a two-week run in repertory with its production of Moliere's Miser.

Mr. Hutt, portraying Leonato, father to Hero, the ingénue, and uncle to Beatrice, the sharp-tongued cynic, steals an inherently funny...

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This section contains 805 words
(approx. 3 pages at 300 words per page)
Buy the Critical Review by Peter Marks
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Critical Review by Peter Marks from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.