SOURCE: McGrady, Donald. “The Topos of ‘Inversion of Values’ in Hero's Depiction of Beatrice.” Shakespeare Quarterly 44, no. 4 (winter 1993): 472-6.

In the following essay, McGrady reviews the way Beatrice inverts rhetorical tradition through her persistently negative appraisal of her suitors, and argues that upon overhearing Hero's description of her, Beatrice is made aware of her flaws and is finally able to open herself up to love.

In act 3, scene 1, of Much Ado About Nothing, Hero incites Beatrice to love Benedick by staging a scene for her to overhear in which Hero censures Beatrice's custom of criticizing all her suitors, of turning their spiritual virtues or physical characteristics into defects:

                                                                                          … I never yet saw man, How wise, how noble, young, how rarely featur'd, But she would spell him backward: if fair-fac'd, She would swear the gentleman should be her sister; If black, why, Nature, drawing of an antic, Made a...