A Wild and Crazy Guy | Criticism

This literature criticism consists of approximately 3 pages of analysis & critique of A Wild and Crazy Guy.

A Wild and Crazy Guy | Criticism

This literature criticism consists of approximately 3 pages of analysis & critique of A Wild and Crazy Guy.
This section contains 676 words
(approx. 3 pages at 300 words per page)
Buy the Critical Essay by Roy Blount, Jr.

As a monologist, Martin is no Richard Pryor or Lily Tomlin (to name the two great stand-up comedians since W. C. Fields) or Lenny Bruce or Randy Newman or Bob or Ray. The best thing about his TV special last season was The New York Times's preview of it. To read in the newspaper of record that a man was to deliver on prime time network television a long sketch about turtle wrangling was gratifying; the sketch itself, one felt, was long. On his big-selling live album [A Wild and Crazy Guy], Martin performs worn material rather perfunctorily for an audience that seems intent on getting hysterical without grounds. His appeal to the young borders on the bubble gummy.

But Martin has done wonderful things: the original Saturday Night version of his "King Tut" song and dance (though if "Born in Arizona,/Moved to Babylonia" were the...

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This section contains 676 words
(approx. 3 pages at 300 words per page)
Buy the Critical Essay by Roy Blount, Jr.
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Critical Essay by Roy Blount, Jr. from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.