The basic idea of "Do Re Mi" contains rich promise for a musical. Mr. Kanin's book takes a look at the juke-box racket, the music and record business and such forums of popular entertainment as the night club, supper club and beatnik joint. But it is written largely to formula and often resembles a dull imitation of "Guys and Dolls."…

There is neither space nor need to set forth every credit and debit in a comprehensive balance sheet. "Do Re Mi" has speed, color and some fun. It is also mechanical, uninventive and noisy. In a poor season for musicals it looks good. But to acclaim it as great is a disservice to the public and the theatre.

Howard Taubman, "Soft on Musicals," in The New York Times, Section 2 (© 1961 by The New York Times Company; reprinted by permission), January 8, 1961, p. 1.∗