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This section contains 13,338 words (approx. 45 pages at 300 words per page) |
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SOURCE: Roos, Bonnie. “James Joyce's ‘The Dead’ and Bret Harte's Gabriel Conroy: The Nature of the Feast.” The Yale Journal of Criticism 15, no. 1 (spring 2002): 99-126.
In the following essay, Roos traces the influences of American writer Bret Harte's novel Gabriel Conroy on Joyce's story, “The Dead.”
I have been assured by a very knowing American of my acquaintance in London, that a young healthy child well nursed is at a year old a most delicious, nourishing, and wholesome food, whether stewed, roasted, baked, or boiled; and I make no doubt that it will equally serve in a fricassee or a ragout.
—Jonathan Swift, “A Modest Proposal,” 1729
“Ireland is the old sow that eats her farrow.”
—James Joyce, A Portrait of the Artist as a Young Man, 1914
Toward the end of James Joyce's “The Dead” (1907), Gabriel Conroy's wife Gretta cries herself to sleep after telling her husband about Michael...
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This section contains 13,338 words (approx. 45 pages at 300 words per page) |
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