SOURCE: "Patriarchy, Mutuality, and Forgiveness in King Lear," in Love's Argument: Gender Relations in Shakespeare, The University of North Carolina Press, 1984, pp. 150-63.

In the following essay first delivered at the 1977 conference on Shakespeare in Performance, Novy discusses the imbalance of power between Lear and his daughters, and observes that Cordelia tries to keep her integrity by withdrawing from "the coercive 'mutuality' that patriarchy seems to demand. "

Critics of King Lear have frequently noted that Lear begins with the power of the archetypal king and father; many of them have also noted that his initial lack of self-knowledge springs in part from the prerogatives of kingship.¹ It has been less observed that the play includes implicit criticism of the prerogatives of the father and an exploration of some behavior that patriarchy fosters in men and women. The apparent mutual dependence of Lear and his older daughters, following conventional...