|
This section contains 6,662 words (approx. 23 pages at 300 words per page) |
|
SOURCE: Summerhayes, Don. “Fish Story: Ways of Telling in ‘Big Two-Hearted River.’” The Hemingway Review 15, no. 1 (fall 1995): 10-26.
In the following essay, Summerhayes examines Hemingway's use of language in “Big Two-Hearted River.”
We've reached a stage of modernity where it is very difficult to accept innocently the idea of a “work of fiction”; from now on, our works are works of language; fiction can pass through them, contacted obliquely, indirectly present.
—Roland Barthes
What do I want to communicate but what a hell of a good time I had writing it? The whole thing is performance and prowess and feats of association. Why don't critics talk about those things—what a feat it was to turn that that way, and what a feat it was to remember that, to be reminded of that by this. Why don't they talk about that?
—Robert Frost
It was really more fun...
|
This section contains 6,662 words (approx. 23 pages at 300 words per page) |
|

