Davies' work reveals a progressive attempt to define human identity in the fullest possible sense. In the development of his work from Shakespeare's Boy Actors to World of Wonders, he can be seen to examine the possibilities of role-playing, the second self, the autonomous personality of the artist, the Jungian self, the romance hero, and the Magian soul, and to assess each as a possible mythologem of the completed human identity. His exploration of these possibilities is rooted in his deep and long-lasting affinity with Jung, and, for the most part, is carried out within a frame of reference firmly based on Jung's ideas. Nevertheless, Davies eventually moves beyond his affinity with Jung to a more impartial assessment of Jungianism as simply one way of looking at the universe, one myth among a number of others, and finally he is able to present the Jungian self as only...