Eraserhead | Criticism

This literature criticism consists of approximately 42 pages of analysis & critique of Eraserhead.

Eraserhead | Criticism

This literature criticism consists of approximately 42 pages of analysis & critique of Eraserhead.
This section contains 11,944 words
(approx. 40 pages at 300 words per page)
Buy the Critical Essay by Kenneth C. Kaleta

SOURCE: Kaleta, Kenneth C. “Early Lynch—Eraserhead.” In David Lynch, pp. 1-30. New York: Twayne, 1993.

In the following essay, Kaleta discusses the themes, style, and main metaphors of Lynch's early short films that culminate with his first feature-length film Eraserhead.

Suppose yourself in a large cinema, sitting at first in the back row, and gradually moving up … until your nose is almost pressed against the screen. Gradually the stars' faces dissolve into dancing grain; tiny details assume grotesque proportions … it becomes clear that the illusion itself is reality.

—Salman Rushdie

David Keith Lynch seems to have been the all-American Boy. He was born in Missoula, Montana, 20 January 1946. Lynch remembers a rural childhood: “My father was a research scientist for the Department of Agriculture in Washington. We were in the woods all the time. I'd sorta had enough of the woods by the time I left, but still, lumber...

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This section contains 11,944 words
(approx. 40 pages at 300 words per page)
Buy the Critical Essay by Kenneth C. Kaleta
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Critical Essay by Kenneth C. Kaleta from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.