Dr Cronin is not merely not believable [in The Minstrel Boy]: he is committing truthlessness with the unctuous confidence of a money-lender committing robbery. This story of the rise, fall and redemption of a young and beautiful Catholic priest with an exquisite singing voice and a taste for the ladies is sentimentally snobbish about music, religion, food, wine, gardening, travel, sex, money, Ireland, clothes … you name it, Dr Cronin has a snobbery for it.

Jeremy Brooks, "Spine-Chiller," in The Sunday Times, London, May 11, 1975, p. 41.∗