Robert Browning | Criticism

This literature criticism consists of approximately 45 pages of analysis & critique of Robert Browning.
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Robert Browning | Criticism

This literature criticism consists of approximately 45 pages of analysis & critique of Robert Browning.
This section contains 13,179 words
(approx. 44 pages at 300 words per page)
Buy the Critical Essay by John Woolford and Daniel Karlin

SOURCE: "Genre and Style," in Robert Browning, Longman Group Limited, 1996, pp. 38–73.

In the following essay, Woolford and Karlin study Browning's use of the genre of dramatic monologue as well as elements of the poet's style. The critics argue that Browning's primary concern in his usage of dramatic monologue is the creation of dramatic speakers and situations. Additionally, Woolford and Karlin maintain that the style Browning employs is a vocal onehis poetry is meant to be spoken aloud—and they define two distinct vocal styles in his poetrya voice that "says " and a voice that "sings."

Genre

Dramatic method

'O lyric Love!' begins one of the most famous passages of Browning's poetry, his invocation of EBB [Elizabeth Barrett Browning] in The Ring and the Book. But it is an unusual moment.1 Browning is not a lyric poet. He never wrote an ode, disliked the sonnet-form, has...

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This section contains 13,179 words
(approx. 44 pages at 300 words per page)
Buy the Critical Essay by John Woolford and Daniel Karlin
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Critical Essay by John Woolford and Daniel Karlin from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.