William Wetmore Story Biography

William Wetmore Story

The following sections of this BookRags Literature Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources.

(c)1998-2002; (c)2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design and Thomson Learning are trademarks used herein under license.

The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". (c)1994-2005, by Walton Beacham.

The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". (c)1994-2005, by Walton Beacham.

All other sections in this Literature Study Guide are owned and copyrighted by BookRags, Inc.

Biography

William Wetmore Story (12 February 1819-7 October 1895), lawyer, sculptor, poet, essayist, and novelist, was the son of the eminent jurist Joseph Story. He was born in Salem, Massachusetts. After receiving his Bachelor of Laws degree from Harvard College in 1840, Story settled briefly into the practice of law and published several legal treatises. With the death of his father in 1845, Story was commissioned to design a statue for his tomb. This commission led Story to Italy in 1847. There he was received by a small community of American artists which included Margaret Fuller and Horatio Greenough, and by 1856 Story had abandoned the law and settled permanently in Rome. In 1862, with the acclaim given his statue of Cleopatra (which is described in detail by Story's friend Nathaniel Hawthorne in The Marble Faun), Story received the recognition as a sculptor he desired. But by this time he was already redirecting his energies into belletristic writing. Story had attempted poetry while still practicing law, but his Poems (Boston: Little & Brown, 1847) and Poems (Boston: Little & Brown, 1856) were common New England fare which brought him little acknowledgement. His later poems, especially those of Graffiti d'Italia (Edinburgh: Blackwood & Sons, 1868) are partially liberated from the restrictive atmosphere of New England, but are pervaded by a European flavor and the influence of Story's neighbor in Rome, Robert Browning. Roba di Roma (London: Chapman & Hall, 1862), the most popular of Story's collections of essays, is a rambling guide to contemporary Rome with Story's comments on Roman art, history, and culture. His one novel, Fiametta; A Summer Idyl (Edinburgh: Blackwood & Sons, 1885), is overly romantic and sentimental, and features the death of the heroine from unrequited love. Although his popularity and nearly all of his literary acquaintances were European by the 1860s, Story demonstrated his concern over the American Civil War with a series of letters to the London Daily News beginning in 1861.