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 Ween live in Edmonton, November 2007
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| Background information | |
| Origin | New Hope, Pennsylvania |
| Genre(s) | Alternative rock, experimental rock |
| Years active | 1984–present |
| Label(s) | Elektra, Chocodog, Sanctuary |
| Website | ween.com |
| Members | |
| Dean Ween Gene Ween Dave Dreiwitz Claude Coleman Jr. Glenn McClelland |
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Ween is an alternative rock group formed in 1984 in New Hope, Pennsylvania when Aaron Freeman and Mickey Melchiondo met in an eighth grade typing class. The pair became known respectively as Gene and Dean Ween. Thousands of home recordings later, Ween collected a large underground fanbase despite being generally unknown in pop music.
Contents |
Early years
Their earliest home recordings were anarchic and free-spirited, drawing on influences as far-reaching as Syd Barrett, The Beatles, Queen, Prince, Butthole Surfers, The Residents and the lo-fi punk movement. They self-released 6 cassettes in the late eighties; Mrs. Slack, The Crucial Squeegie Lip, Axis: Bold As Boognish, Erica Peterson's Flaming Crib Death, The Live Brain Wedgie/WAD, and Prime 5. Around this time, Gene also released his own tape, Synthetic Socks, which featured Dean on a few songs. Ween was often compared in their early years to other offbeat artists such as Frank Zappa and They Might Be Giants though they would always eschew such comparisons. Ween's public debut was a "Purple Haze" cover closing a 1987 talent show; the piece featured a solo, stand-up, acoustic bass and Chrissy Serino on drums.
Major releases
Ween was signed to Twin/Tone Records in 1989 and released their first album GodWeenSatan: The Oneness in the following year, a 26-track smorgasbord of wild eclecticism. 1991's The Pod became a fast fan favorite, as the duo's use of drum machines, pitch-tweaked guitars & vocals and drug-laced humor became a trademark part of their sound. The Pod, according to Ween-lore, was written under the influence of Scotchgard, but this was later refuted by Gene and Dean themselves as being "the most slime-bag thing we could think of." The contraption on the album cover is not a Scotchgard inhalation device, but a bong-like device used to send marijuana directly to the brain by use of nitrous oxide, which was said to leave the user intoxicated for days, but nauseated. The cover of The Pod used the cover of the 1975 Leonard Cohen album, The Best of Leonard Cohen, but with the head of Mean Ween (sometime bassist Chris Williams) wearing the mask, pasted onto that of Cohen. Pure Guava, the first of a series of releases on the Elektra label, featured their highest charting single, "Push Th' Little Daisies" (1992) which gained them media & MTV attention, as the video was a highlighted target on MTV's Beavis & Butt-head. Chocolate and Cheese followed in 1994, heralding 70s pop/rock & soul sendups such as "Freedom of '76" and "Voodoo Lady". The "Freedom of '76" music video was directed by Spike Jonze. At this time, Ween began to expand their live and studio line-up, providing both a crisper production sound in the studio and an easier live setup (up until this time, Ween had been using DAT tapes to provide backings for their songs). Ween turned to Nashville studio musicians for the recording of the authentically-spirited 12 Golden Country Greats (1996) which only contained ten tracks. There are two theories regarding the title of the album. The first is that it refers to the dozen veteran Nashville studio musicians who played on the album. The second is that the band did indeed record twelve songs during the demo sessions for the album, but upon the removal of the tracks "I Got No Darkside" and "So Long, Jerry" (the latter of which was a B-side on the "Piss Up A Rope" single) they decided not to rename it. The nautically-themed The Mollusk followed in 1997, demonstrating Ween's satirization, deconstruction, and appreciative mastery of genres including 1960's Brit-pop, sea shanties, Broadway show tunes, and especially progressive rock. Their desire to pursue alternate forms of media led to the MP3-only release Craters of the Sac (1999), presented by Dean for online download and free trade. Elektra Records released a live compilation entitled Paintin' The Town Brown: Ween Live 1990-1998 in 1999, followed by White Pepper (2000), their pop-themed album and final studio set for Elektra. The track "Even If You Don't" was made into a music video directed by the creators of South Park, Trey Parker and Matt Stone. Shortly after White Pepper Ween started the internet radiostation WeenRadio, which was awarded 3rd best internet music site by Rolling Stone.[1] Ween also formed their own label at this time, Chocodog Records, which oversaw the release of several self-produced live sets. The aforementioned Paintin' the Town Brown, which was compiled and mastered by the band, was meant to be the first Chocodog release. According to Dean Ween, once the album was completed, Elektra realized the sales potential of the CD and denied Ween the right to release it through Chocodog. Later, Ween released the first official Chocodog album, Live in Toronto (a live recording from the 1996 tour, in which Ween performed with The Shit Creek Boys). The limited-pressing CD, available exclusively through the band website, became an instant collector's item. Subsequent Chocodog releases (Live at Stubb's and All Request Live) were produced in higher volumes to meet demand. In 2005, the label released the first instalment of a rarity compilation series entitled Shinola, and announced plans to re-release the 1987 cassette tape by Gene, Synthetic Socks. The two signed to Sanctuary Records in 2003 and released quebec, their first studio set in 3 years. In 2004, they released Live in Chicago, a DVD and CD set that compiled tracks from three energetic live performances. In February of 2006, they rented an old farmhouse and converted it into a working studio. After writing over 50 songs and recording rough versions through 2006, they picked through them, and, with Andrew Weiss as producer, re-recorded album versions. As of March 2007, they are recording final versions of what they have said to be about 20 songs. On May 22, 2007 they announced they will be releasing an EP entitled "The Friends EP" on June 8th. Dean Ween said the EP will be "The ultimate party record, filled with good beats and good times. Perfect for your barbecue or doing bong hits or whatever it is that you guys do." They also announced the new album--entitled "La Cucaracha"-- which was released October 23, 2007 on Rounder Records, placing them on the same label as fellow Alternative Rock duo They Might Be Giants.
Miscellaneous works
Ween has participated in various outside collaborations over the years. The band joined members of Japanese group Boredoms to form noise rock group Z-Rock Hawaii, and Dean is also a member of heavy metal band Moistboyz. Ween's songs are used in several film soundtracks, including The X-Files, Beautiful Girls, Dude, Where's My Car? and Road Trip, and on television they have contributed to SpongeBob SquarePants ('Ocean Man' and a song about tying shoes "Loop de Loop") and Grounded for Life (the theme song). The team recorded The Shot Heard 'Round the World for a 1996 tribute album of classic School House Rock ditties with the likes of Better than Ezra, Blind Melon, and Moby. Ween had been asked to write a theme song for Greg the Bunny which was rejected. Also, "Piss up a Rope" can be heard playing in the garage near the start of the movie "U-Turn". The band has also made several on-screen appearances, including performing on Letterman, on MTV's Oddville, in puppet form on Crank Yankers, as part of Chef Aid in South Park, and on film as themselves in It's Pat. Dean made significant contributions to two projects by his friend Josh Homme: The Desert Sessions and Queens of the Stone Age. On the critically successful 2002 Homme album Songs for the Deaf, Dean played guitar on "Mosquito Song", "Gonna Leave You", and "Six Shooter". In 2002, the advertising agency for Pizza Hut approached the duo to record a promotional jingle, which resulted in a 30-second recording of "Where'd the Cheese Go?". It epitomized Ween-style irreverence but did not appeal to the agency, and Pizza Hut rejected several versions of the song outright. True to form (and somewhat indignant), Ween rerecorded the same song with new lyrics as "Where'd the Motherfuckin' Cheese Go At?". Both versions are available here. In 2003, "Ocean Man" from The Mollusk reappeared on television when Honda used the song in an advertisement for its 2004 Civic Coupe. In 2004, the song appeared during the ending credits of The SpongeBob SquarePants Movie. In 2005, "Oh My Dear (Falling in Love)", from The Pod, appeared in the film The Motel as the title song. It also became the DVD Menu song for the film once it was released on DVD. In 2007, "It's Gonna Be A Long Night" from quebec was featured as the theme song for the launch of internet TV channel RawVegas.tv. "It's Gonna Be A Long Night" was also featured in season 3, episode 14 of the FX television show The Shield. In 2007 "You Fucked Up" from "GodWeenSatan: The Oneness" was featured as the last song in the first episode of the third season of Weeds (TV series)
Members
Current members
- Dean Ween, pseudonym for Mickey Melchiondo – lead guitar, vocals, etc.
- Gene Ween, pseudonym for Aaron Freeman – lead vocal, guitar, etc.
- Dave Dreiwitz – bass
- Claude Coleman Jr. – drums
- Glenn McClelland – keyboards
Past members
- Andrew Weiss – producer, bass, etc.
- Mark Kramer – bass
- Jason Fuller – keyboards in touring band 2001
- Mean Ween – bass on "Alone" (The Pod), second vocals on "Little Birdy" (Pure Guava), bass (The Mollusk), live
- Scott Lowe – second vocal and whistling solo on "Don't Get Too Close" (Pure Guava), various backing vocals (Chocolate and Cheese), second vocal on "Rift" (Shinola, Vol. 1)
- Pat Frey – drums on "Baby Bitch", "Mango Woman" , "I'll Miss You" , "Shot Heard 'Round the World"
- Guy Heller – vocals on "Flies On My Dick" (Pure Guava)
Organization
- Management – Greg Frey Management
- Booking – High Road Touring
- Legal – George Regis
- Business Manager – RZO, LLC
Discography
Early independent releases (1986–1989)
| Year | Title |
|---|---|
| 198X | Mrs. Slack |
| 1986 | The Crucial Squeegie Lip |
| 1987 | Axis: Bold As Boognish |
| 1987 | Erica Peterson's Flaming Crib Death |
| 1988 | The Live Brain Wedgie/WAD |
| 1989 | Prime 5 |
Studio albums (1990–present)
| Year | Title | Label |
|---|---|---|
| 1990 | GodWeenSatan: The Oneness | Twin/Tone, reissued 2001 Restless |
| 1991 | The Pod | Shimmy Disc, reissued 1995 Elektra |
| 1992 | Pure Guava | Elektra |
| 1994 | Chocolate & Cheese | Elektra |
| 1996 | 12 Golden Country Greats | Elektra |
| 1997 | The Mollusk | Elektra |
| 1999 | Craters of the Sac | online only MP3 release |
| 2000 | White Pepper | Elektra |
| 2003 | Quebec | Sanctuary |
| 2005 | Shinola, Vol. 1 | Chocodog |
| 2007 | La Cucaracha | Rounder Records |
Live albums
EPs and singles
| Year | Title | Label |
|---|---|---|
| 1992 | I'm Fat | Vital Music |
| 1992 | Push th' Little Daisies | Elektra Records |
| 1992 | Sky Cruiser | Sub Pop |
| 1992 | Sky Cruiser EP | White Records |
| 1993 | Push th' Little Daisies | Elektra Records |
| 1994 | I Can't Put My Finger On It EP | Elektra Records |
| 1994 | Freedom of '76 EP | Flying Nun Records |
| 1994 | Voodoo Lady EP | Flying Nun Records |
| 1996 | Piss Up a Rope/You Were the Fool EP | Flying Nun Records |
| 1996 | Piss Up A Rope | Diesel Only Records |
| 1997 | Mutilated Lips | Elektra Records |
| 1997 | Ocean Man | Elektra Records |
| 2000 | Even If You Don't | Mushroom Records |
| 2000 | Stay Forever Promo EP | Mushroom Records |
| 2000 | Stay Forever Red Vinyl EP | Mushroom Records |
| 2005 | Monique The Freak limited edition one sided etched 12" | Chocodog / Schnitzel Records |
| 2005 | Gabrielle limited edition one sided brown 7" | Chocodog / Schnitzel Records |
| 2007 | The Friends EP CD and limited edition picture disc 12" | Chocodog / Schnitzel Records |
Appearances
| Year | Title | Label |
|---|---|---|
| 1993 | En Esch - Cheesy | TVT Records |
| 1994 | Frente - Lonley (EP) | Mushroom Records |
| 1995 | Kostars - Klassics With a K | Grand Royal |
| 1995 | Used & Recorded by 3RRR Vol.2 | Radio Release |
| 1996 | Ben Vaughn - Instrumental Stylings | Bar None Records |
| 1996 | Yoko Ono-Rising Mixes | Capitol Records |
| 1996 | Schoolhouse Rock! Rocks | Atlantic Records |
| 1998 | Hub - Hub | SLASH RECORDS |
| 1999 | Ben - Wool | Ben Chatrer |
References
- ^ David Kushner, The Top Ten Best Digital Music Entities of 2000, Rolling Stone, December 28 2000, retrieved October 2 2007.
External links
| Philadelphia Portal |
- Official website
- Ween at MySpace
- Ween.net - fansite
- Cult of Boognish - fansite
- Browntracker - Live Ween BitTorrents
- WeenRadio and WeenRadio forums
- Liveween.com
- Ween collection at the Internet Archive's live music archive
- Ween album reviews
- New Hope-Solebury School District
- "Half Joke, All Genius: The Legendary Irreverence of Ween, a CBC Radio 3 live concert session
- Ween at Rolling Stone
| Ween |
|---|
| Dean Ween | Gene Ween |
| Dave Dreiwitz | Claude Coleman Jr. | Glenn McClelland |
| Mean Ween | Andrew Weiss | Mark Kramer | Gordon Rodnick | Jason Fuller | Scott Lowe |
| Discography |
| Studio albums: GodWeenSatan: The Oneness | The Pod | Pure Guava | Chocolate & Cheese | 12 Golden Country Greats | The Mollusk | Craters of the Sac | White Pepper | Quebec | Shinola, Vol. 1 | La Cucaracha |
| Early demos: The Crucial Squeegie Lip | Axis: Bold As Boognish | Erica Peterson's Flaming Crib Death | The Live Brain Wedgie/WAD | |
| Live albums: Paintin' the Town Brown | Live in Toronto Canada | Live at Stubb's | All Request Live | Live in Chicago |
| See also |
| Chocodog | Elektra Records | Sanctuary Records | Moistboyz | Synthetic Socks | Rounder Records |
