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Not What You Meant?  There are 53 definitions for Saint.  Also try: I Want You or Ohio.

Utah Saints

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This page is for the English dance band, for the American Indoor Football Association team, see Utah Saints (AIFA).

Utah Saints
Origin Flag of England Leeds, England
Genre(s) Electronica
Rave
Dance-pop
Years active 1991 – present
Label(s) London, Echo
Website http://www.utahsaints.com/
Members
Jez Willis
Tim Garbutt

Utah Saints are a dance band from Leeds, England. The music is produced by Jez Willis and Tim Garbutt, who are joined on-stage by other musicians whenever the band plays live. The band had a string of hit singles in the British pop charts in the 1990s, and were notable for their extensive use of sampling technology. In particular, their practice of manipulating samples from mainstreaum pop and rock songs, and combining them with contrasting dance beats, predated the mashup scene by several years.

Contents

History

They were described as "the first true stadium house band" (by Bill Drummond), though their music is difficult to place into one particular genre and they have been compared to Underworld, Fluke, The KLF, and even Ministry or Nine Inch Nails. They first had chart success with the singles "What Can You Do For Me", "Something Good" and "Believe In Me", which they described as their vocal sample trilogy as those singles sampled Gwen Guthrie, Kate Bush and Human League respectively ("What Can You Do For Me" also features a sample from Eurythmics). Contrary to one rumour, the band were not sued by Kate Bush over the use of a sample from Bush's track "Cloudbusting" in the Utah Saints track "Something Good" - the sample was legally cleared before use. Additionally, Bush sold Utah Saints footage from the video of her original song [1]. Utah Saints then moved away from vocal samples with singles such as "I Want You" and "I Still Think Of You" (Jez Willis providing original vocals on each). After their debut album, the self-titled Utah Saints, and one further single "Ohio", Utah Saints seemed to disappear for several years, though they were still busy doing remixes (for a diverse range of artists including Blondie, Human League, Hawkwind, Simple Minds, James, Annie Lennox and The Osmonds and the theme to the 1995 blockbuster, Mortal Kombat), and producing tracks for other artists such as Terrorvision. During this time, they recorded an album that was to be called "Wired World" but was never released, and produced a handful of Utah Saints tracks that to date have never had a proper release either, with titles such as "Star", "Train" and "Rock". They eventually re-appeared in late 1999 with charting singles "Love Song", "Funky Music" (featuring Edwin Starr on guest vocals), "Power To The Beats" and "Lost Vagueness" (featuring Chrissie Hynde), by releasing the album Two. Also in 2000, Utah Saints did the soundtrack for the video game Carmageddon TDR2000. In 2002 they went back into hibernation and fans are still waiting for their next re-appearance. They have been doing DJ appearances and the occasional remix but there has been no more original material so far. The band are notorious amongst their fans and the dance music community for taking a long time in between their releases - their first album Utah Saints and follow-up album Two were released seven years apart. They have also been working on projects under other names, such as BeatVandals, as well as developing their very popular regular Leeds-based club night SugarBeatClub.

Personal Details

Discography

Albums

Singles

See also

Genre

Artists

References

External links

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Utah Saints from Wíkipedia. ©2006 by Wíkipedia. Licensed under the GNU Free Documentation License. View a list of authors or edit this article.

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