| The Shadow | |
|---|---|
 theatrical poster |
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| Directed by | Russell Mulcahy |
| Produced by | Willi Bär Martin Bregman Michael Scott Bregman |
| Written by | David Koepp |
| Starring | Alec Baldwin Penelope Ann Miller John Lone Ian McKellen |
| Music by | Jerry Goldsmith |
| Cinematography | Stephen H. Burum |
| Editing by | Peter Honess Beth Jochem Besterveld |
| Distributed by | Universal Pictures |
| Release date(s) | July 1, 1994 |
| Running time | 108 min. |
| Country | USA |
| Language | English |
| Budget | $40 million (estimated) |
| IMDb profile | |
The Shadow is a 1994 film, directed by Russell Mulcahy, and based on the character created by Walter B. Gibson in 1931. The film is one of many featuring the character as its star, but is by far the most expensive and lavish of those productions, with an estimated USD $40 million budget and an expensive marketing campaign attributed to it. Starring Alec Baldwin in the title role, the film was intended to be a summer blockbuster and to be the starting point for a new franchise of films that would be tied in with toy and clothing lines. Despite good intentions, the movie flopped, it was panned by both critics and fans and the planned franchise never materialized, although some toys were offered during its release period.
Contents |
Plot
Lamont Cranston (Alec Baldwin) is a former American soldier, and a veteran of World War I. Tired of being a servant to greater powers, Cranston disappears following the armistice and hides himself away in Tibet, eventually rising to power as an iron-fisted opium producer and warlord named Yin-ko. Living his life in opulence, Yin-ko sees little reason for reform, controlling the majority of the country's opium fields and casually using brutal violence to achieve and maintain his power. One night he is kidnapped from his chambers by unknown assailants, who spirit him away from his estate and bring him before the Tulku. The Tulku, who is clearly much more than a simple holy man, confronts Yin-ko and reveals to him that he knows his true identity as Lamont Cranston. He tells Cranston that he had him brought to the temple so that he could learn to overcome the darkness in his heart in order to become a force for good. Cranston's objections are quickly silenced by a run-in with the Phurba, a living knife animated by the Tulku's mental abilities, and so begins Cranston's reluctant tutelage under the powerful mystic. For seven years, Cranston is taught to cloud men's minds, which permits him to control or alter people's perceptions and thoughts by force of concentration. His most apparent use of this power allows him to become invisible, removing himself from people's vision in every part except for his shadow, the only thing he can never hide. With his newfound abilities, Cranston returns to the United States, where he resumes the life he had before the war as an opulent playboy. His alter ego, The Shadow, terrorizes the criminal element of the city and is regarded by the public as an urban legend. He utilizes a vast network of spies and agents, identified by their fire opal rings, recruited from the various citizens he saves which affords him a large talent pool to draw from should he require their expertise or knowledge. His activities go as planned until Shiwan Khan (John Lone), the last living descendant of Genghis Khan, enters the country with his infamous ancestor's holy crypt, arriving inside the Natural History museum. Khan, a fellow student of the Tulku, exhibits psychic powers even more focused than Cranston's, but was not brought over to the side of good before he left the Tulku. Able to hypnotize others into doing his bidding, Khan is able to mull along secretly until he decides to reveal himself to The Shadow. Khan, an admirer of Cranston's previous atrocities as Yin-ko, wishes to let Cranston in on his forthcoming plans to complete Genghis Khan's global domination and once again allow his darker nature to rule him. The Shadow is tempted but denies Khan's offer. Cranston meets and is immediately intrigued by Margo Lane, a wealthy socialite, who seems to have suppressed mental abilities. He cannot allow himself to interact with her, however, because she has the ability to read his thoughts without apparent effort and is immune to his hypnosis. Her father Reinhardt, a scientist working for the war department, ends up missing as his implosion device is key to Khan's plan. When she goes to find him she is mesmerized by Khan's stronger power and is sent to kill The Shadow in his mansion. When Cranston confronts her and releases her from Khan's control, she realizes that he is in fact The Shadow. In their next encounter, Khan tells Cranston that he sent Margo not to kill him but to be killed by him, so that his instincts would reawaken and Cranston would go back to his corrupt persona. With Reinhardt's implosion device in hand, Khan acquires the final piece of his plan: a beryllium sphere from Farley Claymore, Reinhardt's unscrupulous assistant. Claymore actually joined Khan by his own free will in exchange for power in the new world order, and with the two devices Khan has the ability to create an atomic weapon (a decade before the Manhattan Project). The Shadow infiltrates Khan's headquarters, a massive hotel that he actually kept invisible to the entire population of New York, just as the atomic bomb is given two hours to detonate. He kills Farely Claymore and makes his way to Khan, but when he engages him Khan's control over his powers proves to be sharper. Using the Phurba Khan cuts away at The Shadow until he begins to lose his concentration and he reverts to Lamont Cranston, unable to keep his powers from fading. Cranston struggles with the Phurba amidst Khan's condescensions until he is forced to regain control, overpowering the Phurba and sending it into Khan's torso. With his concentration broken Khan's hypnotic control over his building and underlings fails, revealing the once-invisible hotel to the surprised New York populace. Reinhardt Lane, now free, helps his daughter disarm the atomic weapon while The Shadow pursues Khan. The Shadow chases him into the subsections of the building where, among a maze of mirrors, he uses his psychic powers to tear apart the glass and send a large shard into Khan's forehead. When Khan awakes he finds himself in a mental hospital, stripped of his abilities due to a life-saving lobotomy that apparently removed the usually-dormant part of the brain that granted him his hypnotic skills. When the attending doctor explains the situation to a frustrated and bewildered Khan, the fire opal ring on his finger reveals him to be an agent of The Shadow. The movie includes many characters that were introduced in the pulp fiction magazines in the 1930s, such as Margo Lane (Penelope Ann Miller), Moe Shrevnitz (Peter Boyle), and Inspector Wainwright (Jonathan Winters).
Production
Producer Martin Bregman bought the rights to The Shadow in 1982. Screenwriter David Koepp had listened to The Shadow radio show as a child when CBS radio re-ran it on Sunday nights. He was hired in 1990 to write a new draft and was able to find the right tone that the studio liked. Bregman remembers, “Some of them were light, some of them were darker, and others were supposedly funnier – which they weren’t. It just didn’t work.”[1] Koepp’s script relied predominantly on the pulp novels while taking the overall tone from the radio show with the actual plot originated by Koepp himself in consultation with Bregman. In an attempt to differentiate the film from other superhero movies of the time, Koepp focused on “the copy line, ‘Who knows what evil lurks in the hearts of men?’ and wondered how he knew what evil lurks in the hearts of men. And I decided that perhaps it was because he was uncomfortably familiar with the evil in his own heart.”[2] For Koepp, the film then became “a story of guilt and atonement.”[2] He picked Shiwan Khan as the film’s villain because “he was bold and he knew what he was doing – he wanted to conquer the world. That was very simple, may be a little ambitious, but he knew exactly what he wanted.”[1] He usually didn’t write with an actor in mind but early on envisioned Alec Baldwin as Lamont Cranston/the Shadow. Koepp also sat in on rehearsals and incorporated a lot of the actor’s humor into the script. While making Razorback in 1984, director Russell Mulcahy heard that Bregman had the rights to The Shadow but didn’t seriously pursue it when he heard that Robert Zemeckis might direct. While working on a film called Blue Ice for Bregman, he found out that no director was attached to The Shadow film. He asked the producer about it and Bregman agreed to have him direct. While working on the Bregman-produced The Real McCoy, the film’s star, Kim Basinger, recommended her then-husband, Baldwin, to star in The Shadow. According to Bregman, very few actors were considered for the role. Over the years, both Roy Scheider and Jeremy Irons were suggested. The film was shot on the Universal backlot in Hollywood on five soundstages over 60 days with a five day mini-unit tour of location shooting and a week lost when an earthquake destroyed the Hall of Mirrors set. Mulcahy claimed, “There are a lot of FX in this film but it’s not an FX film. It’s a character/story-driven film. The FX are part of the story.”[3] According visual effects supervisor Alison Savitch, the film was not originally intended to be an effects movie with only 50 to 70 shots. By the time the film was completed, they had 230 effects shots. This included creating 1930s New York City through miniatures and matte paintings. While making the film, Mulcahy mentioned that a sequel might feature the Voodoo Master as the villain.
Video Game
A Shadow video game was developed to tie in with the 1994 movie, but was never released.
Pinball Game
As a commercial tie-in, however, the Shadow was the theme for a 1994 pinball machine released by Midway (under the Bally label) to moderate success. It was the first game designed by Brian Eddy (Attack From Mars, Medieval Madness), and features original music composed by Dan Forden.
Novelization
A novelization of the film was written by James Luceno.
Trivia
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Trivia sections are discouraged under Wikipedia guidelines. The article could be improved by integrating relevant items and removing inappropriate ones. |
- The "living knife" is not the same prop from the Eddie Murphy movie The Golden Child, but both film's knives are based on the Tibetan Phurba dagger.
- The US Region 1 DVD presents the film in a pan and scan full frame (1.33:1) transfer, while the Region 2 DVD released in the UK preserves the original widescreen (1.85:1) aspect ratio.
- The ending confrontation with Kahn in the hall of mirrors is a tribute to the film Enter the Dragon, starring Bruce Lee. Along with similar camera shots, Lee's character defeats the villain in much the same way that The Shadow does in the film: by smashing the mirrors until only his enemy remains.
- Sam Raimi is a fan of The Shadow and wanted to direct this movie, but was refused and led to the creation of Darkman instead. On an interesting note, Robert Trebor, one of the taxi passengers in the movie, would end up playing Salmoneous in the Raimi-produced series Hercules: The Legendary Journeys.
- When Lamont and Margo are kissing at the end of the film, a truck can be seen in the background bearing the last name of director Russell Mulcahy.
- The scene in which The Shadow rescues Dr. Roy Tam on the bridge is taken from the opening of "The Living Shadow," the very first "Shadow" novel, in which The Shadow saves a man from suicide on the Brooklyn Bridge.
- The silver coffin of Temujin is from "The Masters of Death", the fourth Shadow pulp story to deal with Shiwan Khan, while the cigarette billboard that broadcasts Khan's commands comes from "The Golden Master".
- When Commissioner Wainwright Barth arrives at the museum, he is told that "Inspector Cardona" is in charge of the investigation of the guard's death. In the pulps, Inspector Joe Cardona (the forerunner of Batman's Commissioner Gordon) was The Shadow's main ally on the New York police force.
- The Shadow's origin as described in the original magazine stories was deemed too complex to be amply covered in a mainstream motion picture, and was modified by the writers so that it could be told fairly easily.
- In the original stories, the Shadow's real name is Kent Allard, and Cranston is a separate person whose name he uses as an alias.
- In the movie, Penelope Ann Miller--as Margo Lane--says that she has never read minds so clearly since a childhood incident involving " my cousin Harry." This might arguably be a reference to the supporting character of Harry Vincent, in the original magazine stories.
Original Motion Picture Soundtrack
A soundtrack album, comprised of selections from Jerry Goldsmith's score as well as several songs from the film, was released in 1994 on the Arista Records label. CD Track Listing:
- The Shadow Knows... 1994 (Dialogue, performed by Alec Baldwin) [:08]
- Original Sin (Theme from The Shadow) (Written by Jim Steinman, performed by Taylor Dayne) [6:27]
- The Poppy Fields (Main Title) [3:16]
- Some Kind of Mystery (Written by Diane Warren, performed by Sinoa) [3:48]
- The Sanctum [3:33]
- Who Are You? [4:02]
- Chest Pains [3:26]
- The Knife [3:05]
- The Hotel [5:53]
- The Tank [4:08]
- Frontal Lobotomy [2:28]
- Original Sin (Theme from The Shadow) Film Mix (Written by Jim Steinman, performed by Taylor Dayne) [5:02]
- The Shadow Radio Show 1937: Who Knows What Evil Lurks in the Hearts of Men? (Dialogue, performed by Orson Welles) [:29]
