| The Public Eye | |
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 Theatrical Poster |
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| Directed by | Howard Franklin |
| Produced by | Executive Producer: Robert Zemeckis Producer: Sue Baden-Powell |
| Written by | Howard Franklin |
| Starring | Joe Pesci Barbara Hershey Stanley Tucci Richard Schiff Jerry Adler Dominic Chianese |
| Music by | Mark Isham |
| Cinematography | Peter Suschitzky |
| Editing by | Evan A. Lottman |
| Distributed by | Universal Pictures |
| Release date(s) | October 16, 1992 |
| Running time | 99 minutes |
| Country | United States |
| Language | English |
| Budget | $15,000,000, estimated. |
| All Movie Guide profile | |
| IMDb profile | |
The Public Eye (1992) is an American neo-noir film written and directed by Howard Franklin, and produced by Robert Zemeckis and Sue Baden-Powell. The drama features Joe Pesci, Barbara Hershey, Stanley Tucci, Richard Schiff, among others.[1] The film is a character study loosely based on the famed New York Daily News photographer Arthur "Weegee" Fellig. Some of the photos shown in the movie, in fact, were taken by Fellig.
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Plot
Leon "Bernzy" Bernstein (Joe Pesci), is a freelance photographer for the New York City tabloids of the 1940s, and dedicated to his realistic photography work. He is very confidant of his skills. At one point in the movie he says, "Nobody does what I do. Nobody." With a police radio under the dashboard of his car and a darkroom in his trunk, he quickly races to the scene of some of the most horrific crimes and accidents in order to snap the best photographs. He's so good at his job that he becomes known affectionately as the "Great Bernzini." Noir fate touches the "Great Bernzini" when he meets the sultry widow Kay Levitz (Barbara Hershey), the owner of a nightclub. It seems the mob is muscling in on her club due to some arrangement with her late husband. After Kay asks Bernzy to investigate an individual she considers troublesome, Bernstein, who's not too successful with women, agrees to help. In fact, he is falling in love with her. After talking to his contacts, including journalist friend Arthur Nabler (Jerry Adler), Bernstein traces Kay's man, only to find him dead. But when he calls the police, he becomes a suspect. It seems the police and the FBI are also very interested in this case. When Bernstein makes a connection with gangster Sal (Stanley Tucci), he uncovers a conspiracy involving gas rationing, a mob turf war, the government, and much trouble.
Background
Joe Pesci took this role right after his Oscar winning performance in Goodfellas. It was an attempt to capitalize on his popularity at the time and help elevate Pesci from respected character actor to star status. Director and writer Howard Franklin was unable to secure the rights to Arthur "Weegee" Fellig's story. Franklin, then, wrote the story of a Weegee-like photographer who smokes cigars and he named him Leon "Bernzy" Bernstein. In the film, like Weegee, cops wonder if Bernzy uses a ouija board to snap his photographs and find the stories.[2] According to journalist Doug Trapp, Franklin, was inspired to write the screenplay after seeing a show of Fellig's photos in the 1980s at the International Center of Photography in New York City. And Weegee did, in real life, have a "soul-mate" named Wilma Wilcox, who was the woman in charge of the his estate. But, Franklin has always denied that the film was about their relationship.[3]
Filming locations
Even though the film takes place in Manhattan, it was shot in Chicago, Illinois, Cincinnati, Ohio, and Los Angeles, California.
Cast
- Joe Pesci as Leon "Bernzy" Bernstein
- Barbara Hershey as Kay Levit
- Stanley Tucci as Sal
- Jerry Adler as Arthur Nabler
- Dominic Chianese as Spoleto
- Richard Riehle as Officer O'Brien
- Max Brooks as Teen at Thompson Street
- Richard Schiff as Thompson Street Photographer
- Christian Stolte as Ambulance Attendant
- Jack Denbo as Photo Editor
- Timothy Hendrickson as Richard Rineman
- Del Close as H.R. Rineman
Critical reception
The Chicago Sun-Times film critic, Roger Ebert, was especially complimentary of the film and of actor Joe Pesci, and wrote, "One of the best things about the movie is the way it shows us how seriously Bernzy takes his work. He doesn't talk about it. He does it, with that cigar stuck in his mug, leading the way with the big, ungainly Speed Graphic with the glass flashbulbs. In the movie's big scene of a mob assassination, he stares death in the face to get a great picture."[4] At one point Ebert said the film made him "think" a little bit of Casablanca, the well-known 1942 film. Time Out Film Guide liked the acting and the script, and wrote, "The main virtue of screenwriter Franklin's debut as director is Pesci's portrayal of Weegee, the famous low-life tabloid photographer of urban disaster, lightly concealed as Bernstein, 'The Great Bernzini'...good dialogue, nice period recreation, great performances."[5] Yet, not all reviews were as favorable. Desson Howe, film critic for The Washington Post wrote, "Public wants to be taken for an atmospheric film noir, full of intrigue, romance and street toughness. But it's all flash and no picture. Despite the usual quippy, perky performance from Pesci, as well as cinematographer Peter Suschitzky's moodily delineated images, the movie is superficial and unengaging. It's as if Life magazine decided to make an oldtime gangster movie."[6]
Distribution
The producers used the following tagline when marketing the film:
- Murder. Scandal. Crime. No matter what he was shooting, "The Great Bernzini" never took sides he only took pictures... Except once.
The Public Eye began filming on July 24, 1991 and completed October 28, 1991. The film premiered at the Toronto Film Festival in September 1992.[7] The film also was shown at the Venice Film Festival and the Valladolid International Film Festival in Spain. It opened on October 14, 1992 in New York City and Los Angeles. It opened wide on October 16, 1992. The film's box office performance was a disappointment. The first week's gross was $1,157,470 and the total receipts for the run were $3,067,917. According to "The Numbers" box office database the film was in circulation one week (5 days) in 635 theatres.[8][9]
Video/DVD
The film was released in video format on April 14, 1993. In laserdisc it was released on April 21, 1993. As of January 2007 it is still not available in DVD.
Soundtrack
The original score for the film was written and recorded by Jerry Goldsmith but he was replaced by Mark Isham at a late stage. As such, Isham had a lot of work to do and in a short time. He found working with director Franklin a wonderful and educational experience.[10] A motion picture original soundtrack was released. Shorty Rogers also worked on the score and contributed 1 track. The CD contained nineteen tracks in total. The CD was released on October 13, 1992 on the Varese Sarabande label.[11] Mark Isham uses a dark melody played mostly on piano. Isham mixes symphonic, jazz and electronic music; strings and trumpet also play a major role.
Notable quote
- Bernzy Bernstein: "Everybody loves to have their picture took. Everybody."
References
- ^ The Public Eye at the Internet Movie Database.
- ^ Gallagher, Sean. Suite 101, film review.
- ^ Trapp, Doug. Cincinnati CityBeat, Fellig article, July 24, 2002.
- ^ Ebert, Roger. The Chicago Sun-Times, film review, October 14, 1992.
- ^ Time Out Film Guide. Time Out-New York, film review. Last accessed: November 29, 2007.
- ^ Howe, Desson. The Washington Post, film review, October 16, 1992.
- ^ Levy, Emanuel. Film Review.
- ^ The Numbers box office data. Last accessed: November 27, 2007.
- ^ Box Office Mojo box office data.
- ^ Score Magazine interview with Mark Isham, by Miguel Ángel Ordóñez and Pablo Nieto, 2005.
- ^ Amazon.com web site.
External links
- The Public Eye at the Internet Movie Database.
- The Public Eye at All Movie Guide.
- The Public Eye screenplay. Shooting draft for educational purposes.
- The Public Eye at Film Noir of the Week.
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