| Operas by Sergei Prokofiev |
|---|
The Gambler (1916) |
The Love for Three Oranges (Russian: Любовь к трём апельсинам, or Lyubov k Tryom Apelsinam in transliteration) is an opera composed in 1919 by Sergei Prokofiev to a libretto based on the play L'Amore delle tre melarance by Carlo Gozzi.
The play itself is based on Giambattista Basile's fairy tale "The Love for Three Oranges" (#408 in the Aarne-Thompson classification system). The most well-known piece in the opera is the "March". It is a popular orchestral selection, and was used by CBS in the series The FBI in Peace and War that was broadcast 1944-1958. The opera has also become Prokofiev's most widely performed one, having entered the standard repertoire of many opera companies.
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Synopsis
The absurd story is in the Commedia dell'Arte tradition, and concerns a young prince, cursed by a wicked witch and forced to voyage into distant lands in search of three oranges, each of which contains a princess. The libretto was adapted by Prokofiev and Vera Janacopoulos from Vsevolod Meyerhold's translation of Gozzi's play. The adaptation modernized some of the Commedia dell'Arte influences and also introduced a healthy dose of Surrealism. At its première, the opera was sung in French, as L'Amour des trois oranges.
Characters
The opera features an array of whimsical characters, including:
- The Prince (tenor): the hero. In the first act he is dying of incurable hypochondria. After being cursed by Fata Morgana, he must go on a quest to rescue the three oranges from the evil chef Creonte, with the help of Truffaldino.
- King of Clubs (bass): the father of the Prince. Comparable with the Queen of Hearts in Alice's Adventures in Wonderland.
- Truffaldino (tenor): the Prince's somewhat unreliable sidekick. Based on the Commedia dell'Arte character Arlecchino.
- Tchelio (bass): a bumbling wizard and protector of the Prince.
- Fata Morgana (soprano): the evil, somewhat bumbling witch who curses the Prince. Named after the optical phenomenon of the same name, which ultimately derives from King Arthur's half sister Morgan le Fay.
- Leandre (bass-baritone), Clarissa (mezzo), and Smeraldina (mezzo): plotters against the King and Prince, allies of Fata Morgana.
- Farfarello (baritone): antagonizing wind demon. Name is from the Italian for demon.
- Creonte (bass): the evil chef who has imprisoned the three oranges and threatens the Prince and Truffaldino with a giant ladle.
- Ninetta (soprano): one of the princess of the orange.
- Linetta (mezzo) and Nicoletta (soprano): the other, ill-fated orange princesses.
- A chorus of "Ridiculous People" representing the audience of the play and also involved in the action of the play at times.
Instrumentation
Premiere
December 30, 1921, at the Chicago Opera, with the composer himself conducting.
Performances
Recordings
| Orchestra | Choir | Conductor | Record Company | Year of Recording | Format |
|---|---|---|---|---|---|
| Lyon Opera Orchestra | Lyon Opera Chorus | Kent Nagano | Virgin Classics | 1989 | CD |
| Lyon Opera Orchestra | Lyon Opera Chorus | Kent Nagano | Arthaus Musik | 1989 | DVD |
| Kirov Theater Orchestra | Kirov Theater Chorus | Valery Gergiev | Philips | 2001 | CD |
| Australian Opera and Ballet Orchestra | Opera Australia Chorus | Richard Hickox | Chandos Records | 2005 | CD |
| Moscow Radio Orchestra | Moscow Radio Choir | D.Dalgat | Period (Thrift Edition) | 1950? | LP |
Suite from The Love for Three Oranges, Op. 33bis
Prokofiev compiled an orchestral suite from the opera for concert use. The suite lasts for 15-20 minutes, and is in 6 movements:
- Ridiculous Fellows
- Magician Celio and Fata Morgana Play Cards (Infernal Scene)
- March
- Scherzo
- The Prince and the Princess
- Flight
Recordings
| Orchestra | Conductor | Record Company | Year of Recording | Format |
|---|---|---|---|---|
| National Symphony Orchestra | Leonard Slatkin | RCA Victor (BMG Classics) | 1998 | CD |
| ORTF National Orchestra | Lorin Maazel | Sony Classical | 1991 | CD |
| Royal Scottish National Orchestra | Neeme Järvi | Chandos | 1989 | CD |
March and Scherzo from The Love for Three Oranges, Op. 33ter
A transcription for piano by the composer himself.
Sources
- Frolova-Walker, Marina (2005). "11. Russian opera; Two anti-operas: The Love for Three Oranges and The Nose", in Mervyn Cooke: The Cambridge Companion to Twentieth-Century Opera (in English). London: Cambridge University Press, p.182-186. ISBN 0-521-78393-3.
External links
- Prokofiev.org
- MIDI for March from the Love for Three Oranges
- Gozzi, Carlo. The Love Of Three Oranges: A Play For The Theatre That Takes The Commedia Dell'arte Of Carlo Gozzi And Updates It For The New Millennium. ISBN 1-4116-1032-6. (New translation by Hillary DePiano)
- Reflections on International Narrative Research on the Example of The Tale of the Three Oranges
