| The Duellists | |
|---|---|
Theatrical release poster |
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| Directed by | Ridley Scott |
| Produced by | David Puttnam |
| Written by | Gerald Vaughan-Hughes Joseph Conrad (story) |
| Starring | Keith Carradine Harvey Keitel Edward Fox Albert Finney |
| Music by | Howard Blake |
| Cinematography | Frank Tidy |
| Distributed by | Paramount Pictures |
| Release date(s) | December, 1977 |
| Running time | 100 min. |
| Country | |
| Language | English |
| IMDb profile | |
The Duellists is a 1977 film, which was Ridley Scott's first feature film as a director. It won the Best Debut Film award at Cannes. The basis of the screen play is the Joseph Conrad short story "The Duel" (U. S. title: Point of Honor) published in A Set of Six. Set during the Napoleonic Wars, it features two French Hussar officers, D'Hubert and Feraud (played by Keith Carradine and Harvey Keitel). Their quarrel over an initially minor incident turns into a bitter, long-drawn out struggle over the following fifteen years, interwoven with the larger conflict that provides its backdrop. At the beginning, Feraud is the one who jealously guards his honor and repeatedly demands satisfaction anew when a duelling encounter ends inconclusively; he aggressively pursues every opportunity to locate and duel his foe. As the story progresses, D'Hubert also finds himself caught up in the contest, unable to back down or walk away. The Conrad short story evidently has its genesis in the real duels that two French Hussar officers fought in the Napoleonic era. Their names are Dupont and Fournier, which Conrad disguised slightly, changing Dupont into D'Hubert and Fournier into Feraud. The film has been compared to Stanley Kubrick's Barry Lyndon. In both films, duels play an essential role. In his commentary for the DVD release of his film Scott comments that he was trying to emulate the lush cinematography of Kubrick's film, which approached the naturalistic paintings of the era depicted. The film is lauded for its historically authentic portrayal of Napoleonic uniforms and military conduct, as well as its generally accurate early-nineteenth-century fencing techniques as recreated by fight choreographer William Hobbs.
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