The Symphony No. 7 in A flat major by Arnold Bax was completed in 1939 and dedicated to The People of America. The work received its first performance in New York in 1940 under the baton of Sir Adrian Boult. It is scored piccolo, three flutes, two oboes, English horn, three clarinets, bass clarinet, two bassoons, double bassoon, four horns, three trumpets, three trombones, tuba, bass drum, tenor drum, snare drum, tambourine, cymbals, gong, triangle, glockenspiel, harp and strings. It is in three movements:
- Allegro - Poco largemente - Tempo I
- Lento - Piu mosso. In Legendary Mood - Tempo I
- Theme and Variations: Allegro - Andante - Tempo I - Epilogue (Sereno)
The movement opens with a melodic motive from the clarinets, and the slower, second main motive is introduced almost immediately after. These two motives form a basis for the first subject, which has a very haunting mood, almost looking back on the opening of the fifth symphony. The lyrical second subject is achingly tender, but does shows signs of optimism, particularly when it recapitulates at the end of the movement. The second movement is much more serene, almost a relief after the experience of the stormy opening movement. It is in a three part form, alike a one movement symphony, and the mood is somewhat dignified. It closes peacefully to set up the finale. The last movement is a theme and variations, something which Bax has not attempted before, and he makes good work of the gorgeous theme which is introduced after quite a blustery introduction, which is used for the variations of the main theme. It closes with Bax's shortest epilogue, almost acting as an end to an extraordinary cycle of symphonies, as if to say "goodbye".
|
|
|---|
