| Signals | |||||
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| Studio album by Rush | |||||
| Released | September 1982 | ||||
| Recorded | April-July 1982 | ||||
| Genre | Progressive rock | ||||
| Length | 42:18 | ||||
| Label | Anthem Records (Canada) Mercury Records |
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| Producer | Rush and Terry Brown | ||||
| Professional reviews | |||||
| Rush chronology | |||||
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Signals is the ninth studio album by the Canadian rock band Rush, released in 1982 (see 1982 in music). Signals was the follow-up to the successful Moving Pictures. Stylistically, the album was a continuation of Rush's foray into the technology-oriented 1980s through increased use of electronic instrumentation such as keyboards, sequencers, and electric violin. Another noticeable change was in terms of song length and lyrical compression. The album had eight songs, the longest of which is 6:22. The album reached #10 on the Billboard album charts and was certified Platinum (1,000,000 copies sold) by the R.I.A.A. in November of 1982.
Contents |
Background
The writing of the album began in 1981, during soundchecks on the Moving Pictures Tour. This is the first time that the soundchecks were taped. Coincidentally, parts of “Chemistry” were written by the band at once while they were separated from each other. Lee wrote the keyboard melody for the bridge section, Lifeson wrote the guitar riff for the verse, and Peart wrote the drum beat for the chorus, and in a move unusual for Rush, Lee and Lifeson came with the concept and title for the song and presented rough lyrics for Peart to polish. In April, at Orlando, Florida, the band attempted to watch a launch of the space shuttle. It was canceled when they arrived because of a computer malfunction. They tried again a few days later and finally observed the launch which inspired the song “Countdown”.
In September, at Le Studio, Quebec, Peart jammed with the road crew on a song, and was joined by Lee and Lifeson. The song was recorded later by Rush and temporarily titled “Tough Break”. Afterwards Peart wrote lyrics for “Tough Break”, now titled "Subdivisions", and Lifeson and Lee came up with additional parts. In December at Lee’s home in Toronto, he experimented on parts for “The Weapon” with a friend with a drum machine. The strange drum pattern was a challenge for Peart to master.
In January of 1982, on a docked schooner in the Virgin Islands, Peart presented his lyrics for “The Analog Kid” to Lee. They both agreed that it would make a great up-tempo rocker, with a soft chorus. At Muskoka Lakes, Ontario in March at the Grange, “Digital Man” was put together. At Le Studio, the Ska style bridge was created along with the sequencer pattern with the guitar and bass. Producer Terry Brown was not impressed and initially refused to record it. In May, the band set out to record a song that had a time limit of 3:57 to keep both sides of the record equal. Peart wrote “New World Man” and it was recorded the next day, giving it a spontaneous live feel. In June, Ben Mink from the band FM was invited to play electric violin on “Losing It” It was rehearsed by the band and existed as a demo.[1][2]
Song Notes
The opening track from Signals is "Subdivisions." The track would become a staple of the band's concert setlists for many years. "The Analog Kid" and "Digital Man" served as the inspiration for writer Troy Hickman to create the comic book heroes of the same name, Digital Man and Analog Kid, in the 2004 comic Common Grounds [[1]]. "Digital Man," a slightly reggae-based song, ultimately led to the end of the band's relationship with long-time producer Terry Brown. Brown was reluctant to leave behind the band's progressive-rock past, while band members, especially Lee, wanted to explore new musical directions. The mid-section of the song has been compared with the song "Walking On The Moon" by The Police.[3] A slightly-adapted version of the song was brought back for the 2007 Snakes And Arrows Tour, marking the first time Rush performed it in nearly 23 years. "The Weapon" (Part II of the 'Fear' trilogy) would be featured in the album's supporting tour and would include a video opening hosted by Count Floyd of SCTV fame. "New World Man" would become an FM radio hit for the band. The song was written and recorded at the end of the recording sessions with the intention of preserving the continuity of the then-popular cassette tape format. This allowed for two roughly 21-minute sides with as little "dead air" between them as possible. "Losing It" includes a guest appearance by FM alumnus Ben Mink on electric violin. Neil Peart's lyrics reference, among other things, the latter years of writer Ernest Hemingway: "for you the blind who once could see, the bell tolls for thee...". This track was the only track from the album never to have been performed in concert. The lyrics in the final track, "Countdown," describe the launch of the Space Shuttle Columbia in 1981 which the band witnessed. The song features audio clips of some of the radio talk recorded during the maiden flight. It was a minor UK chart hit in early 1983. Signals represented the band's last collaboration with producer Terry Brown, who had co-produced every Rush album since 1975's Fly by Night, and had engineered the eponymous first album in 1974.
Track listing
"Subdivisions" Image:Subdivisions.ogg
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All songs written by Alex Lifeson, Geddy Lee, and Neil Peart
- "Subdivisions" – 5:33
- "The Analog Kid" – 4:46
- "Chemistry" – 4:56
- "Digital Man" – 6:20
- "The Weapon (Part II of Fear)" – 6:22
- "New World Man" – 3:41
- "Losing It" – 4:51
- "Countdown" – 5:49
(The Track Listing is from the CD Release. This album was originally released on LP, cassette and 8 track.)
Personnel
- Geddy Lee – bass guitars (Rickenbacker and Fender), vocals, Keyboards: Minimoog, Oberheim OB-X and OB-Xa, Roland JP-8, Moog Taurus pedals, Oberheim DSX and Roland TR 808 rhythm machine.
- Alex Lifeson – Fender Stratocaster electric guitars, Moog Taurus pedals
- Neil Peart – Tama drums, Avedis Zildjian cymbals, percussion
- Ben Mink – violins
- Hugh Syme – artwork
- Bob Ludwig – Mastering and re-mastering
Charts
Album - Billboard (North America)
| Year | Chart | Position |
|---|---|---|
| 1982 | Pop Albums | 10 |
Singles
| Information |
|---|
"New World Man"
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"Subdivisions"
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"The Analog Kid"
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"The Weapon (Part II of "Fear")"
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"Countdown"
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Remaster Details
Mobile Fidelity Sound Labs issued a Gold CD remaster in 1994. That release is now out of print. [[2]]
- In "The Weapon," one line of lyrics that appears on all other pressings is missing from the MFSL release (at 3:12). MFSL has stated that this was the case on the master delivered to them by the band.
- Also "New World Man"'s ending is a few seconds longer than the Mercury Records issues.
A Mercury Records remaster was issued in 1997.
- The tray has a picture of three fingerprints, light blue, pink, and lime green (left to right) with THE RUSH REMASTERS printed in all caps just to the left. All remasters from Moving Pictures through to Hold Your Fire are like this. This is just like the cover art of Retrospective II.
- Also includes the infrared pictures of the band that were missing from the original CD issue.
- Also includes the lyrics and credits.
References and notes
- ^ Signals Tour Book
- ^ Power Windows http://www.2112.net/powerwindows/
- ^ Geoff Barton (September 2006). "Rush: Progressive To The Core". Classic Rock Magazine Issue 97.
