Roots is the second play by Arnold Wesker in The Wesker Trilogy. The first part is Chicken Soup with Barley and the final play, I'm Talking about Jerusalem. This Play focuses on Beatie Bryant as she transitions from an uneducated working-class woman obsessed with Ronnie, her unseen liberal boyfriend to a woman who can express herself and the struggles of her time. It is widely thought of as one of Wesker's Kitchen Sink Dramas and is written in the colloqueal country dialect of the people on which it focuses. Excerpt: "Do you think we really count? You don' wanna take any notice of what them ole papers say about the workers bein' all-important these days - that's all squit! 'Cos we aren't. Do you think when the really talented people in the country get to work they get to work for us? Hell if they do? Do you think they don't know we 'ont make the effort? The writers don't write thinkin' we can understand, nor the painters don't paint expectin' us to be interested - that they don't, nor don't the composers give out music thinkin' we can appreciate it. 'Blust,' they say, 'the masses is too stupid for us to come down to them. Blust,' they say, 'if they don't make no effort why should we bother? So you know who come along? The slop singers and the pop writers and the film makers and the women's magazines and the tabloid papers and the picture-strip love stories - thaas who come along, and you don't hev to make no effort for them, it come easy… The whole stinkin' commercial world insults us and we don't care a damn. Well Ronnie's right - it's our own bloody fault. We want the third-rate - we got it!"
