Oceanic (Isis album)

Oceanic
Studio album by Isis
Released	September 17, 2002
Recorded	April/May 2002
Genre	Post-metal
Length	63:20
Label	Ipecac
Producer	Isis, Matt Bayles
Professional reviews
All Music Guide link HCS.net link Pitchfork (9.1/10) 9/22/2002
Isis chronology
SGNL>05 (2001) Oceanic (2002) Live.01 (2004)

Oceanic is an album by post-metal band Isis, released September 17, 2002. It is their fifth solo release and second full length. On July 23rd 2006, Isis performed Oceanic in its entirety at the KOKO, Camden Town, London as part of the All Tomorrow's Parties Don't Look Back event.

Themes

The album reintroduces the water and female themes of past releases the Red Sea and Celestial through a story: A man at the brink of emotional numbness finds a female counterpart who completes him ("The Beginning and the End," "False Light"). However, he soon finds that she has had a long-term incestuous relationship ("Maritime," "Weight;" "a day, it changes everything") with her brother ("Hym," "The Other"). This drives him to lose all hope, and he commits suicide through drowning ("from sinking sands, he stepped into light's embrace"). The entire story is described by frontman Aaron Turner in a radio interview and in more nebulous terms in the album's booklet.^[1] It could be postulated that Walt Whitman's Leaves of Grass offered some inspiration to the band. This is present in the naturalistic theme of the album, and the fact that the title of the opening track, "The Beginning and the End", is a phrase used twice - on lines 30 and 31.

Reception

Its style marks a distinct departure from their previous sound; up until this point, Isis had been characterised by crushing, distorted guitars and a coarse, unforgiving tone. With this album came the introduction of lengthy periods of clean guitar, large amounts of ambient noise and female vocals; a notable post-rock influence, first hinted at on SGNL>05 and Celestial. As one reviewer notes, the album is in "a place somewhere between metal and hardcore and post-rock, a place where crunching guitars and hoarse, tuneless vocals and slow spaciness all converge and create something big and mean and delightful".^[2] The change of style proved trying for some long-standing fans, but beneficial in garnering a greater fanbase and the Neurosis-Godflesh comparisons began to weaken. The eschewing of sludgecore elements, and increased focus on atmospherics and post-rock elements whilst still retaining metal and hardcore elements led to the album being labelled by many as post-metal, and essentially as being the genre's progenitor.^[3] Some critics attribute it to having truly formed the genre, out of a previously nebulous definition. This leaning, in the direction of post-rock, was greeted with great critical acclaim; the presence of female vocals proved popular with many reviewers, and songs featuring those vocals are generally seen as stand-outs. Those songs include "The Beginning and the End", "Carry" and "Weight", all of which feature Maria Christopher of 27. Oceanic was named Terrorizer's number one album of 2002 (see 2002 in music), and in Drowned in Sound's "Our 66" introspective of the best albums of the past six years, it placed fifth.^[4] It was greeted with great critical acclaim from not only niche magazines, but also from popular music reviewers, such as allmusic, and Rock Sound, who also named it record of the year. In some ways, this release pushed Isis to the fore of their genre, and enabled them to branch out to new fans.^[5] Some fans and critics will point out that the album had a notable influence on the metal/post-rock scene in the years following. In 2004, Cult of Luna released Salvation; taking a similar stylistic departure from previous LPs Cult of Luna and The Beyond as Oceanic took from preceding albums SGNL>05 and Celestial. The band itself cites Isis as an influence, and a review in Terrorizer posits that Oceanic covered "fairly similar aquatic terrain" as their release Salvation.^[6] Other bands, such as Berlin's The Ocean Collective can also be said to draw on the dynamics of this album.

Track listing

All songs written by Isis.

1. "The Beginning and the End" – 8:02
2. "The Other" – 7:15
3. "False Light" – 7:42
4. "Carry" – 6:48 (sample (help·info)))
5. "-" – 2:05
6. "Maritime" – 3:03
7. "Weight" – 10:46
8. "From Sinking" – 8:24
9. "Hym" – 9:13

Personnel

• Matt Bayles – Audio engineering, audio mixing and production
• Mélanie Benoit – Album photography
• Ed Brooks – Mastering
• Jeff Caxide – Bass guitar
• Maria Christopher of 27 – Vocals on "The Beginning and the End", "Weight" and "Carry"
• Aaron Harris – Drums
• Jason Hellmann – Album photography
• Michael Gallagher – Guitar
• Bryant Clifford Meyer – Electronics, guitar, vocals on the first section of "Hym"
• Ayal Noar of 27 – Additional instrumentation on "The Beginning and the End" and "Weight"
• Aaron Turner – Vocals, guitar, album art and layout

Remixes

The album was remixed in a series of four vinyl EPs, named Oceanic Remixes/Interpretations Volumes I-IV and released on Robotic Empire Records in 2004 and 2005. Contributors included Mike Patton, Venetian Snares and Justin Broadrick. These tracks, and an additional track by Tim Hecker, were compiled into a two-CD release on Hydra Head Records, entitled Oceanic Remixes and Reinterpretations.

References