| Metalcore | |
|---|---|
| Stylistic origins: | Thrash metal Death metal Hardcore punk |
| Cultural origins: | late 1980s North America |
| Typical instruments: | Vocals − Guitar − Bass guitar − Drums (double bass) |
| Mainstream popularity: | Little to none during the careers of early bands, has gained much popularity in the late 1990s and 2000s |
| Subgenres | |
| Moshcore − Mathcore | |
| Fusion genres | |
| Deathcore − Melodic metalcore | |
| Other topics | |
| Breakdown | |
Metalcore is a fusion genre that incorporates elements of thrash metal, death metal and hardcore punk. The term is a portmanteau of heavy metal and hardcore punk. Due to the rise in popularity in the United States during the early 2000s the genre is also described as the New Wave of American Heavy Metal (as an allusion to the New Wave of British Heavy Metal of the late 1970s). It is rooted in the crossover thrash style developed by bands such as Suicidal Tendencies, Dirty Rotten Imbeciles, and Stormtroopers of Death in the mid-1980s.[1] Through the 1990s, metalcore was mostly an underground phenomenon, but by 2004 bands like Killswitch Engage and Shadows Fall were present on the Billboard album charts.[2] Some notable bands in modern metalcore are As I Lay Dying, Bullet For My Valentine, Hatebreed[3], Killswitch Engage, and Shadows Fall.
Contents |
Origin and development
Crossover thrash, as played by Dirty Rotten Imbeciles and Suicidal Tendencies, would have an influence on many of the metalcore bands in the New York hardcore scene, such as New York's Madball (which was formed by members of Agnostic Front) and Vision of Disorder. Biohazard, another band in the late 1980s and early 1990s New York scene, also helped to shape the metalcore genre.[3] In Scandinavia, parallel to the development of early 1990s metalcore, melodic death metal would arise. This thrash metal-influenced death metal subgenre would incorporate melodic guitar hooks, polyphonic melodies, and high-pitched, guttural vocals. At the Gates, Dark Tranquillity, and Carcass are considered influential melodic death metal bands. In the late 1990s, some groups began combining metalcore and melodic death metal, resulting in a melodic fusion genre. Today, metalcore is most commonly used to describe bands of this type. In the mid 2000s, metalcore emerged as a commercial force, with several independent metal labels, including Century Media and Metal Blade, signing metalcore bands. By 2004, metalcore had become popular enough that Killswitch Engage's The End of Heartache and Shadows Fall's The War Within debuted at numbers 21 and 20, respectively, on the Billboard album chart.[4] Hatebreed and Lamb of God have also charted, with Lamb of God's Sacrament (2006) breaking the Billboard 200's top 10.[5][6][7] Metalcore bands have also received prominent slots at Ozzfest and Download Festival.
Styles of metalcore
Although hardcore punk, thrash metal, and death metal are prominent influences, metalcore bands have been known to incorporate traits of groove metal, grindcore, or alternative metal. Metalcore subgenres and fusion genres include:
Moshcore
Moshcore is a subgenre of metalcore characterized by breakdowns. Due in large part to its hardcore punk-based riffing and cleaner vocals, moshcore is one of a few metalcore subgenres with a crossover appeal for fans of hardcore punk. Hatebreed is a well-known band in this genre.
Deathcore
Deathcore is an amalgamation of two musical styles: metalcore and death metal. While similar to the more abrasive death metal of recent years, deathcore's aesthetics and following are more closely related to metalcore. While remaining a subgenre of metalcore, deathcore is heavily influenced by death metal in its speed, heaviness, and approach to chromatic, heavily palm muted riffing, dissonance, and frequent key changes. Though lyrics are not always in the death metal vein, growls, pig-like squeals, and shrieks predominate, with metalcore vocals rarely being used. Job for a Cowboy's Doom EP is an example of deathcore.
Mathcore
Mathcore is a style of metalcore recognized for a high level of technical musicianship. The music is usually filled with discordant, technical riffing, and complex time signatures and song structures. Songs played by bands of this style tend to vary from mere seconds in length to over 15 minutes and rarely feature a conventional verse-chorus song structure. The Dillinger Escape Plan, Protest The Hero, and August Burns Red are examples of mathcore.
Melodic metalcore
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This section may contain original research or unverified claims. Please improve the article by adding references. See the for details. (December 2007) |
Melodic metalcore is a fusion of melodic death metal and early metalcore. The subgenre often makes use of a melodic lead and heavy rhythm guitar, as well as death metal-influenced vocals and metalcore drumming. Overcast (band) and Zao are the pioneers of this genre.
References
- ^ Christe (2003), p. 184
- ^ Killswitch Engage. Roadrunner Records. Retrieved on March 17, 2007. Shadows Fall. Atlantic Records. Retrieved on March 17, 2007.
- ^ a b The History of Rock Music: 1990-1999
- ^ Killswitch Engage. Roadrunner Records. Retrieved on March 17, 2007. Shadows Fall. Atlantic Records. Retrieved on March 17, 2007.
- ^ Supremacy at Billboard.com
- ^ Perseverance at Billboard.com
- ^ Sacrament at Billboard.com
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| Alternative metal · Avant-garde metal · Black metal · Christian metal · Classic metal · Crust Punk · Dark metal · Death metal · Doom metal · Extreme metal · Folk metal · Funk metal · Glam metal · Gothic metal · Grindcore · Groove metal · Industrial metal · Metalcore · Neo-classical metal · Nu metal · Post-metal · Power metal · Progressive metal · Rap metal · Sludge metal · Speed metal · Stoner metal · Symphonic metal · Thrash metal · Viking metal | |
| Regional scenes | New Wave of British Heavy Metal · Norwegian black metal · Scandinavian death metal · Bay Area thrash metal · Brazilian thrash metal · Teutonic thrash metal |
| Other topics | Fashion · Subgenres · Bands · Festivals · Umlaut |
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| Christian hardcore - Crossover thrash - Crust punk - D-beat - Digital hardcore - Funkcore - Grindcore - Hatecore - Melodic hardcore - Metalcore - Oi! - Post-hardcore - Powerviolence - Queercore - Rapcore - Ska-core - Skate punk - Sludge metal - Taqwacore - Thrashcore - UK 82 - Youth crew | |
| Regional Scenes | Australia - Brazil - Canada - Italy - Greece - Japan - Scandinavia - South Wales - Umeå - Yugoslavia United States: Boston - California - Chicago - Detroit - Minneapolis - New Jersey - New York - Phoenix - DC |
| Other topics | DIY ethic - Hardcore bands - Hardcore dancing - Hardline - Punk ideologies - Second wave punk musicians - Straight edge |


